Tokyo Police Club tumbled through a casually brilliant set of post-punk tunes in a sold-out DC9 recently.
Famed progressive rock band Jethro Tull released This Was, their first studio album, in 1968, and founder Ian Anderson last year began a series of concerts to commemorate the band’s 50th anniversary. The Jethro Tull 50th Anniversary show arrives at MGM National Harbor on Monday, March 11. We’re looking forward to hearing early favorites like “Aqualung,” “Thick as a Brick,” and “A Song for Jeffrey,” among others.
Parklife DC had the distinct honor of chatting with Ian about what to expect during the Jethro Tull show, how his personal experiences with the flute have evolved, and what it’s like to be a witness to key historical events and even a catalyst for cultural change.
When I was a young lad in the early ’80s on the search for good music, Duran Duran struck as a revelation. They’ve remained as powerful and interesting today as they were then, and their talent, chemistry, and sophistication were on full display at a pair of shows in newly opened The Fillmore New Orleans this week.
When Emily Haines of Metric sang at The Fillmore Silver Spring on Friday, she sang with her whole self — which is to say that physically she threw her body into song, but psychically she threw her mind into it as well.
DC synthpop band Loi Loi is a local favorite here at Parklife DC, and we are excited that frontwoman Kristie Di Lascio is releasing Me Dystopia, the first full-length album by Loi Loi, via Blight Records — today, Feb. 15!
In honor of the occasion, Parklife DC chatted with Kristie about how she made the record, what it means to her, and what’s next for Loi Loi. After you read our interview with Kristie, buy Me Dystopia on Bandcamp and grab a ticket for the record release show at Comet Ping Pong on Saturday, March 16.
With “The Dreg,” Keith Streng (vocals, guitar) and Ken Fox (vocals, bass) built a sonic brickwork that prepared the audience at City Winery for what was about to come from The Fleshtones: a night of groovy garage rock that tumbled across the stage, occasionally dipped in a little punk or a little psychedelia.