In 2011, Foster the People released their debut album, Torches. To my ear, it continued a decade-long trend of very good music reviving ’80s aesthetics. Breakout hit “Pumped Up Kicks” had a neo-psychedelic flair that would have been right at home on the English or Australian charts of the decade. “Helena Beat” and “Call It What You Want” proved frontman Mark Foster and his collaborators had a knack for this strain of psychedelic pop.
I discovered Foster the People at Liberation Dance Party, the weekly Friday night video celebration hosted by DC9. (DC9 honcho Bill Spieler booked them for their first-ever DC show at The Red Palace way back in 2011.) But it took me a bit to see them perform live. I first saw the band at the Sweetlife Festival (the one co-headlined by Lana Del Rey) in 2014. Then I saw them again at All Things Go in 2017. I thought well of both performances, but neither necessarily left a big impression.
Fast-forward to Foster the People’s date on the Good Mourning Sunshine Tour at The Anthem on Oct. 7, and I’m now a believer. Along the way, original members Cubbie Fink and Mark Pontius departed, leaving Foster and longtime keyboardist Isom Innis at the band’s core, supported by a touring lineup. And I was quite pleasantly surprised at how much Foster channeled one of his musical heroes — namely, David Bowie.