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Preview: Social Distortion w/ Descendents @ The Anthem — 9/4/26

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Social Distortion
Social Distortion (Photo by Jonathan Weiner)

Social Distortion released its long-awaited eighth album, Born To Kill, May 8 via Epitaph Records. The new record wastes no time letting the listener know where its heart is: its hard-charging title track — named as one of ROLLING STONE’s Best Songs of 2026 So Far — paying respects to Lou Reed (“Rock ’n’ Roll Animal gonna come your way!”) and Iggy and the Stooges (“The agenda is yeah to Search and Destroy”) and lionizing David Bowie (“It’s a Rock ’n’ Roll Suicide”) on “Partners in Crime.” This is a man, a band, and a record that wear their influences proudly while creating timeless anthems and ballads that chart Social Distortion’s path forward while celebrating its storied past.

Now on tour, Social Distortion perform live at The Anthem in DC on Friday, Sept. 4.

Live Review: Blacktop Mojo w/ Bitter Luck and Seven Year Witch @ Pearl Street Warehouse — 8/27/26

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Blacktop Mojo
Blacktop Mojo perform live at Pearl Street Warehouse on August 27, 2026. (Photo by Michael Sprouse/ Odd Rocker Photography)

Blacktop Mojo Turns Pearl Street Warehouse Into a Southern Rock Revival

There’s something about a packed club show that an amphitheater simply can’t duplicate. The room is smaller, the lights are lower and, when the guitars kick in, there’s nowhere for anybody to hide.

Pearl Street Warehouse was made for nights like that: dark, intimate and perfectly suited for loud guitars, pounding drums, and screaming vocals.

Live Review: Chatham County Line @ Jammin’ Java — 8/27/26

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Chatham County Line
Chatham County Line (Photo by York Wilson)

Even in their origins as a bluegrass-oriented band, North Carolina’s Chatham County Line always emphasized songcraft and lyrics. It comes naturally to their lead singer, guitarist, and principal lyricist, Dave Wilson, whose mother is the noted poet Dede Wilson.

That’s not to disparage their picking skills: They’re terrific players. But it makes sense, given these tendencies and their influences, that they’ve evolved toward Americana and even rock, incorporating electric guitar and drums, without abandoning John Teer’s graceful mandolin and fiddle. On Thursday evening at Jammin’ Java, CCL proved once again what a great band they truly are.

Live Review: Swervedriver @ The Atlantis — 8/26/26

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Swervedriver
Swervedriver perform live at The Atlantis on August 26, 2026. (Photo by Nalinee Darmrong)

Swervedriver Celebrates 35 Years of Raise at The Atlantis

Oxford, UK, shoegaze pioneers Swervedriver headlined The Atlantis in Washington, DC, on August 26, celebrating the 35th anniversary of their 1991 debut album, Raise, a landmark record that remains one of the genre’s defining releases.

Live Review: Jack Harlow @ The Anthem — 8/25/26

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Jack Harlow
Jack Harlow performs live at The Anthem on August 25, 2026. (Photo by Olusola Fakinlede)

With red lighting, background singers, and an easy confidence, Jack Harlow brought his new era to DC without losing the charm that keeps audiences locked in.

Jack Harlow recently brought The Monica Tour to The Anthem in Washington, DC, and for a venue that can feel massive depending on the artist, the night felt surprisingly intimate. The Anthem is built for big, loud shows, but Harlow never seemed interested in overpowering the space. Instead, he pulled the crowd into the world of the album.

Live Review: Plush @ Capital City Music Hall (Harrisburg, PA) — 8/23/26

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Plush
Plush perform live in Harrisburg, Pennsylvania, on August 23, 2026. (Photo by Michael Sprouse/ Odd Rocker Photography)

Plush came to Harrisburg ready to make some noise.

The rock trio took over Capital City Music Hall on August 23, bringing a hard-hitting set to the downtown venue on North 2nd Street. It’s the kind of close-up room where a band can’t hide behind a massive production. There are guitars, drums, vocals and a crowd packed close to the stage.

Live Review: Masego @ The Anthem — 8/22/26

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Masego
Masego performs live at The Anthem on August 22, 2026. (Photo by Olusola Fakinlede)

At The Anthem, Masego turned a recent Saturday night in DC into a smooth, interactive set built on live instrumentation, saxophone, humor, and effortless crowd control.

Live Review: Gregory Alan Isakov w/ National Symphony Orchestra @ Wolf Trap — 8/26/26

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Gregory Alan Isakov
Gregory Alan Isakov performs live at Wolf Trap on August 26, 2026. (Photo by Ari Strauss)

One of my favorite parts of Wolf Trap’s calendar every summer are the handful of shows pairing popular music artists with the National Symphony Orchestra. These special attractions are unique shows, different from the artists’ usual presentation as a solo act or with a standard band. In Wednesday evening’s performance, singer-songwriter Gregory Alan Isakov’s moody Americana blended perfectly with the orchestra, which added elegant layers to his deeply emotional songs.

Live Review: Billy Idol and DEVO @ Veterans United Home Loans Amphitheater (Virginia Beach, VA) — 8/22/26

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Billy Idol
Billy Idol performs live at Veterans United Home Loans Amphitheater on August 22, 2026. (Photo by Michael Sprouse/ Odd Rocker Photography)

Billy Idol and DEVO Turn Virginia Beach Into an ’80s Rock Time Machine

There are certain concert pairings that make perfect sense before anybody plays a note. Billy Idol and DEVO at Veterans United Home Loans Amphitheater in Virginia Beach was one of them.

Live Review: Jon Batiste w/ National Symphony Orchestra @ Wolf Trap — 8/21/26

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Jon Batiste
Jon Batiste performs live at Wolf Trap on August 21, 2026. (Photo by Steve Satzberg)

Jon Batiste, Transcendent
Words by Rahsaan “Wordslave” Eldridge
Photos by Steve Satzberg

Excitement simmered under the surface of a sold-out crowd. I saw bright eyes and wide smiles as I maneuvered through the traffic to my seat. A coolness in the air foreshadowed something special, unlike any other time I’ve been to Wolf Trap. Jon Batiste and the National Symphony Orchestra’s performance wasn’t just a show. It was a spiritual experience.