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Live Review: In Color w/ Hana Eid @ The Atlantis — 8/25/26

By
Carolin Harvey
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In Color
In Color perform live at The Atlantis on August 25, 2026. (Photo by Carolin Harvey)

“Friendship is the foundation” of In Color, your newest alt-pop-rock obsession.

Hailing from Nashville, In Color consists of Matthew “Matt” Hastings (vocals), Holden Clontz (bass), Miles Leaderman (drums), and Val Hoyt (guitar). Hoyt and Leaderman met in middle school, and both later attended Belmont University, where they eventually met Hastings and Clontz. All four were already involved in music, but the band ultimately came together during one fateful snowed-in weekend in 2024.

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Live Review: Chance The Rapper @ Nevermore Hall — 8/25/26

By
AJ Waugh
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Chance the Rapper
Chance the Rapper performs live at Nevermore Hall in Baltimore on August 25, 2026. (Photo by AJ Waugh)

Chance the Rapper took over Baltimore’s Nevermore Hall last week for a sold-out show on his Coloring Book 10 Year Anniversary Tour, celebrating the release of his 2016 breakout album. Coloring Book launched Chance into a household name, from becoming a judge on The Voice to having his own Kit Kat.

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Preview: The Wooten Brothers @ The Hamilton Live — 9/13/26

By
Sean Spannuth
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The Wooten Borthers
The Wooten Brothers (Photo montage courtesy the band)

There are few families in live music that carry as much sheer power with combined improvisational instinct as The Wooten Brothers. On Sunday, Sept. 13, five-time Grammy winner Victor Wooten and his brothers bring their full setup to The Hamilton Live for an absolute clinic in funk, jazz, and soul presented by All Good Presents.

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Live Review: James Taylor and His Allstar Band @ Wolf Trap — 8/30/26

By
Ari Strauss
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James Taylor
James Taylor opens the first night of a three-show run at Wolf Trap in Vienna, Virginia, on August 30, 2026. (Photo by Ari Strauss)

A line of severe weather pushed James Taylor’s Sunday night return to Wolf Trap back by roughly 20 minutes, a delay made largely out of consideration for the thousands of people sitting exposed on the lawn. By the time Taylor and his All-Star Band finally walked onstage, the rain had not entirely given up, but neither had the crowd of dedicated James Taylor fans. The pavilion was full, the lawn remained populated, and there was remarkably little sense that anyone’s enthusiasm had been washed away.

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Live Review: Tedeschi Trucks Band w/ Lukas Nelson @ Wolf Trap — 8/28/26

By
Mark Engleson
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Tedeschi Trucks Band
Tedeschi Trucks Band (Photo by David McClister)

The legendary Texas singer-songwriter Townes Van Zandt said there’s only two kinds of music: the blues and “Zippity Doo Dah.” My own spin on that is that it all breaks down to good music and bad music. Trying to categorize the Tedeschi Trucks Band or Lukas Nelson is a pointless exercise: They draw from all the rivers of American music, and even beyond. Moreover, they do it with the utmost skill. Friday night’s show at Wolf Trap was full of great songs, soaring vocals, and brilliant playing.

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Preview: Social Distortion w/ Descendents @ The Anthem — 9/4/26

By
Parklifer
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Social Distortion
Social Distortion (Photo by Jonathan Weiner)

Social Distortion released its long-awaited eighth album, Born To Kill, May 8 via Epitaph Records. The new record wastes no time letting the listener know where its heart is: its hard-charging title track — named as one of ROLLING STONE’s Best Songs of 2026 So Far — paying respects to Lou Reed (“Rock ’n’ Roll Animal gonna come your way!”) and Iggy and the Stooges (“The agenda is yeah to Search and Destroy”) and lionizing David Bowie (“It’s a Rock ’n’ Roll Suicide”) on “Partners in Crime.” This is a man, a band, and a record that wear their influences proudly while creating timeless anthems and ballads that chart Social Distortion’s path forward while celebrating its storied past.

Now on tour, Social Distortion perform live at The Anthem in DC on Friday, Sept. 4.

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Live Review: Blacktop Mojo w/ Bitter Luck and Seven Year Witch @ Pearl Street Warehouse — 8/27/26

By
Michael Sprouse
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Blacktop Mojo
Blacktop Mojo perform live at Pearl Street Warehouse on August 27, 2026. (Photo by Michael Sprouse/ Odd Rocker Photography)

Blacktop Mojo Turns Pearl Street Warehouse Into a Southern Rock Revival

There’s something about a packed club show that an amphitheater simply can’t duplicate. The room is smaller, the lights are lower and, when the guitars kick in, there’s nowhere for anybody to hide.

Pearl Street Warehouse was made for nights like that: dark, intimate and perfectly suited for loud guitars, pounding drums, and screaming vocals.

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Live Review: Chatham County Line @ Jammin’ Java — 8/27/26

By
Mark Engleson
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Chatham County Line
Chatham County Line (Photo by York Wilson)

Even in their origins as a bluegrass-oriented band, North Carolina’s Chatham County Line always emphasized songcraft and lyrics. It comes naturally to their lead singer, guitarist, and principal lyricist, Dave Wilson, whose mother is the noted poet Dede Wilson.

That’s not to disparage their picking skills: They’re terrific players. But it makes sense, given these tendencies and their influences, that they’ve evolved toward Americana and even rock, incorporating electric guitar and drums, without abandoning John Teer’s graceful mandolin and fiddle. On Thursday evening at Jammin’ Java, CCL proved once again what a great band they truly are.

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Live Review: Swervedriver @ The Atlantis — 8/26/26

By
Nalinee Darmrong
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Swervedriver
Swervedriver perform live at The Atlantis on August 26, 2026. (Photo by Nalinee Darmrong)

Swervedriver Celebrates 35 Years of Raise at The Atlantis

Oxford, UK, shoegaze pioneers Swervedriver headlined The Atlantis in Washington, DC, on August 26, celebrating the 35th anniversary of their 1991 debut album, Raise, a landmark record that remains one of the genre’s defining releases.

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Live Review: Jack Harlow @ The Anthem — 8/25/26

By
Olusola Fakinlede
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Jack Harlow
Jack Harlow performs live at The Anthem on August 25, 2026. (Photo by Olusola Fakinlede)

With red lighting, background singers, and an easy confidence, Jack Harlow brought his new era to DC without losing the charm that keeps audiences locked in.

Jack Harlow recently brought The Monica Tour to The Anthem in Washington, DC, and for a venue that can feel massive depending on the artist, the night felt surprisingly intimate. The Anthem is built for big, loud shows, but Harlow never seemed interested in overpowering the space. Instead, he pulled the crowd into the world of the album.

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