DC’s top blog for live concert reviews
Darkest Hour (Photo by Vince Edwards)
In the first phase of rollout for their new audio/video release titled Live In Lockdown – The Complete Collection, Darkest Hour have delivered the audio version of the album to their Patreon subscribers today.
Additionally, the band has revealed a full performance video for the standout single “Demon(s).” For this track on Live in Lockdown, Darkest Hour was joined by Fella Di Cicco (Dreamshade) for an epic performance at DC’s own Black Cat!
Technophobia (Photo by Nick Fancher)
Equipped with a fresh new album, DC dark pop duo Technophobia take to the stage of the Black Cat on Saturday, Dec. 5. Catch the show in a livestream on Twitch!
The show is free but the band asks for donations to benefit the Community of Hope, a DC nonprofit dedicated to healthcare and housing assistance.
A band on stage! (Photo by Montecruz Foto)
Welcome to the 2020 Thrushie Awards!
Parklife DC will name the DC best local music venue of the year with your input. The Thrushie Awards are open to DC-area music venues that host touring bands. These venues must be occupied by its owner-operator and not a “for-rent” concert hall operated by an independent agent.
Learn more about each nominee by clicking on their name in keywords. Or name your own candidate!
Vote for the best music local music venue in the DC metro area now through Dec. 11.
The Black Cat (Photo by Mickey McCarter)
The Black Cat is regarded as home to DC’s punk music scene. It hosts the likes of Discord bands like Hammered Hulls and traveling skate punk bands like FIDLAR, for sure, but there’s much more to the Black Cat.
With its 700-person capacity, the Black Cat is the touring home to indie rockers of all stripes, whether climbing their way up the charts or legacy bands that have won a consistent and loyal following.
A sign announcing a coronavirus closing (Photo by Ted Eytan)
DC has closed its music venues to efforts to contain the coronavirus (COVID-19). As such, staffers at concert halls around town are out of work.
Management at several music venues have established relief funds for their workers, allowing the public to donate directly to efforts to provide money directly to venue staff.
Should you ever have enjoyed a show at any of the venues below, please consider a donation to thank the hard-working staff who helped make it a great experience. Parklife has compiled a list below of music venues administering support funds, along with a statement posted by the management of each.
Parklife will udpate this list as relevant. Feel free to add info on relief efforts for music venue staff in the comments.
Destroyer performs at Black Cat on March 9, 2020. (Photo by Casey Vock.)
Strange times are best scored with a bizarre and darkly complex soundtrack. We are clearly in such times, and thanks to the Black Cat’s eclectic schedule, including the occasional Canadian band, DC area fans were recently given a healthy dose of avant-garde rock, only a couple days before local venues started canceling shows.
Nap Eyes performs at Black Cat on March 9, 2020. (Photo by Casey Vock)
When Canadian bands make their way into the United States, they oftentimes tour with a posse of fellow Canucks. Such was the case recently at the Black Cat, where Nap Eyes performed as the opening act for a much-anticipated Destroyer show.
Wovenhand performs at Black Cat on March 2, 2020. (Photos by Marc Shea)
David Eugene Edwards is the creative force behind Wovenhand. After making his mark with the gothic sounding, alt-country band Sixteen Horsepower, David originally recorded his own solo work under the Wovenhand moniker. This has given him the opportunity to explore a variety of musical styles, but they are all connected by his inherent intensity.
His trademark fire and brimstone delivery was apparent in a recent show at Black Cat.
Destroyer (Photo by Ted Bois)
In support of the band’s new album, Have We Met, Destroyer plays Black Cat on Monday, March 9.
Wovenhand (Photo by Simon Skreddernes)
The music of Wovenhand and songwriter/multi-instrumentalist David Eugene Edwards has always had an unparalleled intensity. David’s rich, billowing and emotive voice is always the driving force of his music, but it’s catapulted by his spellbinding ability to transform instruments that many people might consider mundane relics — be it banjo, accordion, lesser-known folk instruments from around the world, or even an electric guitar — into devices of dark fury and poignant beauty.
Wovenhand returns to DC to open OM at Black Cat on Monday, March 2.
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