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Bobby Bare, Charlie Daniels, and Randy Travis (Photo courtesy of 117 Entertainment)
Charlie Daniels’s biggest hit was “The Devil Went Down To Georgia,” but it’s not his best song. In my opinion, his best song was “Then, Now, and Until the End,” a celebration of the roots of American.Continue Reading
The Birchmere is among the DC-area music venues closed by the covid-19 pandemic. (Photo by Dan Reed)
Required Reading is Parklife DC’s essay series on music appreciation.
Music provides more to its fans than just entertainment. Live shows provide community. They are places where people who share an interest can come together. Losing live music during this pandemic has stripped away my primary outlet for socialization.
I have Autism Spectrum Disorder. Socializing and relationships do not come easily for me. I struggle to make smalltalk. My affect strikes a lot of people as “off.”
Of the many communities where I’ve dipped my toes, none has proved as supportive and welcome as music and music fandom. I can relate to fellow music fans on the basis of a shared interest, which makes me feel comfortable and confident in that setting. I’m even appreciated and respected for my encyclopedic knowledge.
A peek inside the Country Music Museum (Photo by Adinda Uneputty)
Required Reading is Parklife DC’s essay series on music appreciation.
Country music and genre fiction (specifically science-fiction and fantasy, hereafter just “sff”) might not seem like they have much in common. In fact, they have developed along strikingly similar lines. Both are popular art forms subject to a certain devaluation, especially by cultural elites. And in both cases, there is a divide between a more conservative mainstream that appeals to the masses and more political progressive, artistically ambitious element.
John Prine (Photo by Danny Clinch)
(Editor’s note: Folk musician John Prine, 73, died of complications related to COVID-19 on April 7.)
A Personal Remembrance of John Prine
I only saw John Prine live once. In November 2017, he played DAR Constitution Hall. Dan Auerbach of the Black Keys opened the show.
The Birchmere (Photo by dontdothisathome)
With a history going back more than 50 years, The Birchmere enjoys an unparalleled prestige with both artists and fans among DMV venues. Known as the region’s center for roots music, the venue has hosted a staggering number of legendary artists.
Lucinda Williams (Photo by Danny Clinch)
Editor’s Note: Parklife DC asked its contributors to write essays about their favorite bands. These essays appear in an occasional series, My Favorite Artist, and provide our readers with insights into our bloggers, their motivations, and their approach to covering concerts.
In 1994, Lucinda Williams won her first Grammy Award for Best Country Song for “Passionate Kisses,” a track from her self-titled 1988 turn to Americana. Mary Chapin Carpenter’s cover of the song also won for Best Country Vocal Performance.
While Mary may have taken away the hardware for her performance of the song, Lucinda’s hardcore fans — like me — will always prefer her performance of the song.
Colin Newman performs with Wire at Union Stage on March 9, 2020. (Photo by Paivi Salonen)
For over 40 years, Wire has been one of the most innovative bands to come out of the United Kingdom, if not the world. Since their 1977 debut, Pink Flag, they’ve shifted their musical style with almost every album. Beginning as a stripped-down, breakneck-paced punk affair, Wire has embraced new textures and sounds, including electronic music.
The band’s recent show at DC’s Union Stage began with a 45-minute DJ set of electronic music, with one notable composition that sounded like a fusion of Ennio Morricone and ambient electronics.
Lankum (Photo courtesy Rough Trade Records)
The droning guitars and eerie pipes of the Irish folk band Lankum have led some to describe their music as apocalyptic. On the evening before the declaration of the coronavirus pandemic as a US national emergency, the band darkly joked, “Thanks a million for taking your lives into your own hands.”
Frontman Ian Lynch added, “We kind of feel like the band on The Titanic.”
Raul Malo (foreground) fronts The Mavericks (Photo by David McClister)
(Editor’s note: This show was rescheduled from March 25 due to the coronavirus threat.)
Raul Malo is best known as the frontman of critically acclaimed band The Mavericks, who uniquely fuse classic honky tonk, rockabilly, Tejano, and pop, as well as his own Cuban background. He also released a number of well-received solo albums, mainly during a period of hiatus for the band.
Parklife DC’s Mark Engleson interviewed Raul in advance of his solo date at The Birchmere on Monday, July 13. They talked about his projects, his approach to production and songwriting, his musical background and influences, and the upcoming concert.
The Yawpers live (Photo by Michael Passman)
Led by Nate Cook, Denver garage-punk band The Yawpers played it loud in their recent appearance at the Pearl Street Warehouse.
The band is on tour supporting their most recent album, last year’s critically acclaimed Human Question, and they got to the title track early in their set at Pearl Street Warehouse recently.
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