In an unforgettable return to Washington, DC’s Warner Theatre, Little Feat recently kicked off the first of two shows as part of their Can’t Be Satisfied Tour. The band holds a special place in the historic venue’s history — 35 years ago, in 1989, Little Feat played the final show at the Warner before it underwent a massive renovation. Now, with the theater restored to its original splendor, the band brought their enduring blend of Southern rock, funk, blues, and New Orleans boogie back to the nation’s capital for a night filled with both nostalgia and vibrant new energy.

Opening with the fan favorite “Fat Man in the Bathtub” on Oct. 18, Little Feat wasted no time in engaging the audience with their infectious grooves. Bill Payne, the band’s co-founder and keyboard wizard, was in top form, his barrelhouse blues piano work serving as a masterclass in musicality. Bill’s leadership onstage, coupled with his joy in performing, was palpable as he steered the band through a dynamic setlist that spanned decades of their eclectic catalog.

The night’s setlist showcased a perfect mix of old favorites and deep cuts, reminding the audience why Little Feat has remained a beloved fixture in American rock for over 50 years. From the smooth, soulful “Easy to Slip” to the rollicking “Oh Atlanta,” the band moved effortlessly through their repertoire, with each song greeted by enthusiastic applause and cheers from the packed theater. One of the evening’s highlights was their rendition of “Willin’,” a song that encapsulates the free-spirited, road-weary ethos of the band.

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One of the most striking aspects of Little Feat’s stage performance is the chemistry between the band members. Their unique blend of rock, funk, and blues still resonates deeply, not only because of the band’s elite musicianship, but because they play with heart, humor, and a genuine love for the craft. This was most evident in the band’s 18-minute rendition of “Dixie Chicken” which featured extended solos by each member of the band.

Longtime band member Fred Tackett started off with a solo introduction on trumpet and then came back with great work on guitar and mandolin. Kenny Gradney’s basslines were as tight and funky as ever, providing a solid backbone for the rhythm section alongside drummer Tony Leone who is among the most recent additions, joining the band in 2020. Tony’s energetic drumming added a fresh spark to the band’s well-established grooves, particularly during tracks like “Feats Don’t Fail Me Now” and the closing number, “Let It Roll.” Scott Sharrard, who also joined the band in 2020, proved himself a worthy successor to the late Paul Barrere, his guitar solos soaring with soulful precision while blending seamlessly with the group’s sound.

As the night drew to a close with a jubilant version of “Let It Roll,” it was clear that Little Feat’s music continues to transcend time. The Warner Theatre, with its ornate design and intimate acoustics, provided the perfect backdrop for the evening. For longtime fans, it was a reminder of the band’s resilience and longevity. The crowd’s energy was infectious, and their rapturous applause after every song underscored the enduring connection between the band and its fans.

Enjoy some more photos from Little Feat’s Oct. 18, 2024 performance at DC’s Warner Theatre. All images copyrighted and courtesy of Ari Strauss.