R&B singer Bettye LaVette graced The Hamilton with her divine presence on Saturday. Looking much younger than her 72 years, fit and trim, Bettye performed with bountiful energy and flawless style.
The energetic performance of The Claudettes at Hill Country Live on Thursday defied the heavy hearts of its members as drummer Danny Yost lay home in Chicago, recuperating after suffering a stroke one week prior. Stepping into Danny’s seat behind the drums was Michael Caskey, who co-founded The Claudettes in 2011 with pianist Johnny Iguana but departed in 2016 due to other commitments.
Myles Kennedy has one of the more distinct voices in hard rock today. While the rock landscape is full of rough, low-end singers, Myles’ voice is higher in register, similar to guys like Axl Rose and Bruce Dickinson. On Wednesday night, looking much more youthful than his nearly 50 years of age, dressed in a black button down shirt and sleeveless white undershirt, and playing in front of a simple black curtain imprinted with The Year of the Tiger logo, Myles put his voice on full display, playing a solo acoustic show for a sold-out audience at the Baltimore Soundstage.
Mondays suck, but not when The Kills are in town. The British-American indie rock band, consisting of American singer Alison Mosshart and English guitarist Jamie Hince, played for a packed Lincoln Theatre Monday night.
Legendary soul singer Bettye LaVette released Things Have Changed, her 10th studio album, on March 30. On the new record, Bettye tackles the songs of Bob Dylan as only she can. And now, she will perform them live in a show at The Hamilton on Saturday, May 19.
Heading into Luke Winslow-King’s show Thursday at the Pearl Street Warehouse, I was interested to observe the crowd reaction. Earlier that day, I’d written a review of his new album, Blue Mesa, published on Friday by Bloodshot Records. On Luke’s previous previous five albums, he’d played entirely acoustic, a mix of traditional styles — blues, jazz, ragtime, pre-war folk. On Blue Mesa, Luke goes electric, moving in a more blues and roots rock direction. The photographer that accompanied me to the show noticed the difference, describing Luke’s style as more “rockabilly.”