The Social Animals, a rock quartet hailing from Duluth, Minnesota, played at DC9 on July 17, and our friend Ben Eisendrath got some cool shots of the band in action.
Update June 3: Individual links to purchase tickets for shows through Ticketfly are now active, and Parklife DC will resume running previews for Ticketfly shows. The main Ticketfly website, and many of its hosted sites, remain down, however.
Concert ticket website Ticketfly.com has been experiencing intermittent problems this week, and today it is down entirely, taking out venue websites with it. This includes websites for 9:30 Club, DC9, Pearl Street Warehouse, and many other DC venues.
Shane Butler (of Quilt) and Caity Shaffer formed Olden Yolk and released their self-titled debut album in February via Trouble in Mind. The band are on tour to promote the new album (with stops in Philadelphia and New York City this weekend!), and they visited DC9 on Friday, when Ben Eisendrath snapped some pictures of them in action.
Austin folk artist Jess Williamson releases Cosmic Wink, her latest full-length album on Friday, May 11. On the road to its release, Jess performed at DC9 to open Loma on Wednesday. David LaMason captured the show on film!
Back in December 2016, I went to see one of Shearwater’s last shows of the Jet Plane and Oxbow tour at the Ottobar in Baltimore. It was a cold night, and the stage was festooned with large lights as part of Shearwater’s stage set up. The opener that night was a duo called Cross Record. Primarily using keyboards and guitars, the band — made up of Emily Cross and Dan Duszynski — created beautiful landscapes of sound.
So it was a joy to hear that over the past year Emily and Dan had started making a record with Jonathan Meiberg of Shearwater in a band that eventually became Loma. Loma performed at DC9 on Wednesday.
In his recordings, Oakland, California’s The Soft Moon, aka Luis Vasquez, sounds distant and submerged, stitching together a mosaic of murky shapes on frameless canvasses. Amidst a backdrop of ominous tones and layered guitars, the heavily treated vocal parts often seem to emerge from the vortex of sound like leaves in an updraft. It’s the kind of technique that works well in the studio, but can be difficult to present live. So as I awaited their set Sunday night at DC9, I was curious to see how it translated to the stage.