As I disembarked a shuttle to downtown Durham outside The Carolina Theatre, the sounds of a protest against North Carolina’s House Bill 2 greeted me last Thursday. A group on the corner shouted out against a new law they saw as discriminatory against sexual identity.
As I peered up and down the street, a growing yet small southern city unfolded before me. I wasn’t in DC any longer.
Moogfest, the premier music festival dedicated to the synthesizer, moved across North Carolina to a new home in Durham this year for four days of performances, classes, talks, and exhibits over May 19-22, 2016, and it drew me there largely to cover many of its concert performances. But it’s impossible to ignore the time and place of such a festival, particularly when the Moogfest organizers themselves protested the passage of HB 2 and particularly when the attendees for the “festival of the future” are as diverse as those descending upon Durham.