Mickey McCarter was *thrilled* to see the classic lineup of Berlin reunite. (Photo by Jason Nicholson)
Editor’s Note: This year, we asked our bloggers to name their Top 10 shows of 2019 or choose their Top 10 photos of the year. We will run them over the course of mid-December as our Best of the Year posts.
Many of our bloggers work as one-man bands. They travel to a show, shoot it, and write it up. But as Parklife DC editor, I frequently work in collaboration with others. And so I have the opportunity to travel to shows I might otherwise not see in support of bloggers who are there to shoot (usually) or write (occasionally) about the program.
The B-52s perform at The Anthem on Sept. 17, 2019. (Photos by Jason Nicholson; Words by Mickey McCarter)
“Forty years ago, we used to stay up all night and drink coffee to make big plans about the future,” said Kate Pierson of The B-52s. “We called ourselves the Deadbeat Club.” With that, the band launched into the song bearing the title “Deadbeat Club” from 1989’s Cosmic Thing in the middle of their concert at The Anthem recently.
Touring on a 40th band anniversary, which coincides with Cosmic Thing’s 30th anniversary, The B-52s could have stuck to that sunny album of earworms and pleased the bustling crowd at The Anthem. But delightfully, The B-52s took the opportunity to celebrate their entire career with the anniversary show, and played selections both familiar and quirky from across six of their seven studio albums.
Joined by openers Berlin, the California new wave collective, and English synthpop quartet Orchestral Manoeuvres in the Dark, The B-52s tour proved consistently entertainingly and downright beguiling while turning The Anthem into a nonstop dance party.
The B-52s (Photo by Pieter M. van Hattem)
The B-52s are traveling on a 2019 world tour to celebrate the 40 years since their self-titled debut album, heading to The Anthem on Tuesday, Sept. 17 before wrapping up on Sept. 24 in New York.
Accompanying The B-52s are California new wavers Berlin, with all three classic members reunited, and English synthpoppers Orchestral Manoeuvres in the Dark. This is the show of the month if not the year!
OMD performs at The Fillmore Charlotte on Aug. 31, 2019. (Photo by Mickey McCarter)
You could feel the “electricity” in the air long before you heard the song of the same name when Orchestral Manoeuvres in the Dark, or OMD, played a headlining show at The Fillmore Charlotte recently. OMD thrilled the very full house to its core as the quintessential English synthpoppers hit the second of four solo shows in a break from opening for The B-52s.
“You may ask yourself, well, how did I get here?” David Byrne ponders being my No. 1 concert in 2018. (Photo by Mickey McCarter)
Editor’s Note: This year, we asked our bloggers to name their Top 10 shows of 2018 or choose their Top 10 photos of the year. We will run them over the course of mid-December as our Best of the Year posts.
Hi, I’m Mickey, editor of Parklife DC. I’m an MTV-bred New Wave and Post-Punk kid at heart, and it will come as no surprise to you that my Top 10 concerts of 2018 mostly burst right off your television screens in 1985.
Paul Humphreys and Andy McCluskey of Orchestral Manoeuvres in the Dark pose in San Francisco for NME in 1981. (Photo by Chester Simpson)
Urgh! A Music war, a cult-classic concert film, straddles divides across new wave, punk, and post-punk acts performing in 1980. Parklife DC screens the film at Black Cat on Monday, Oct. 1. Admission is free!
Andy McCluskey fronts Orchestral Manoeuvres in the Dark (OMD) at 9:30 Club on March 6, 2018. (Photo by Mickey McCarter)
Few bands command the power and precision of new wave pioneers Orchestral Manoeuvres in the Dark (OMD), who stopped by 9:30 Club for a sold-out performance on March 6. Parklife DC previously published a review of that show, but we have a second set of pictures to share, and there’s no such thing as too much OMD in our opinion.