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Julie Budet of Yelle (Photo by Marcin Kempski)
The French dance pop duo Yelle recently returned with a brand new song “Je T’Aime Encore” and a very personal music video focused on Julie Budet and hair stylist Charlie Le Mindu, directed by fashion documentary filmmaker Loïc Prigent.
Ariana and the Rose (Photo by Louis Browne)
Ariana and the Rose has solidified herself as both an underground Brooklyn nightlife staple and a must-see mainstay on the NYC pop scene. She was to visit DC with Torres, but the show was canceled (for now) due to the national coronavirus emergency.
But Union Stage is bringing Ariana and the Rose to you in a livestream for its You & US: A Live Series. Catch her show via Union Stage on Instagram on Tuesday, April 28.
ADULT. (Photo courtesy Grandstand Media & Management)
Prolific electronic duo ADULT. continue to mine their own unique sound on their triumphant and chilling new album, Perception is/as/of Deception, which sees its release next Friday on Dais.
Today, April 2, Nicola Kuperus and Adam Lee Miller released a new single, “Total Total Damage,” and it’s our song of the day!
Heart Bones perform at the Metro Gallery in Baltimore on March 10, 2020. (Photo by Katherine Gaines)
Heart Bones might be the least pretentious band in existence. They hop on stage looking like somebody’s embarrassing parents in their matching khaki shorts, and walk away sweating through their own faces on their T-shirts.
On a recent night at the Metro Gallery, Heart Bones danced to their hearts’ content.
Lower Dens performs at Songbyrd Music House on Feb. 14, 2020. (Photo by Kyle Gustafson)
Beach House. Dan Deacon. Future Islands. Animal Collective. Baltimore has been a hot music scene for a while now, but for some reason the amazing Lower Dens never seem to be mentioned in these conversations often enough. That’s a real shame because Jana Hunter’s outfit has been pumping out quality tunes for over a decade now.
Tove Lo performs at The Fillmore Silver Spring on Feb. 7, 2020. (Photo by Paivi Salonen)
Swedish pop siren Ebba Tove Elsa Nilsson, better known as Tove Lo, visited The Fillmore Silver Spring recently for a stop on her Sunshine Kitty Tour, and Paivi Salonen captured the show in pictures!
YACHT performs at Songbyrd Music House on Jan. 15, 2020. (Photo by Mickey McCarter)
Editor: We have updated this post with more photos of YACHT performing at Rough Trade NYC on Jan. 18, 2020!
Inspired in part by an application called the Verbasizer offered by David Bowie in the ’90s, synthpop trio YACHT wrote an album in collaboration with an AI program last year.
YACHT performed the appealing results in its entirety at Songbyrd Music House recently, offering the 10 new wave tracks of Chain Tripping live in reverse order of the record. And interestingly, the songs sounded like something that could have sprung directly from a Bowie collaboration with Brian Eno in the ’70s.
Vosh performs at Union Stage in DC on Nov. 21, 2019. (Photo by Mickey McCarter)
Going to see Peter Murphy for his David Bowie tribute show at Le Poisson Rouge in New York City on Friday, Jan. 24? Arrive early to see dark synthpop artist Vosh, who hails from Baltimore.
Who is Vosh?
Yacht (Credit: Neurography by Mario Klingemann, Training photos by Jaclyn Campanaro)
Disco punks YACHT recently released Chain Tripping — the band’s seventh LP and third for DFA — after recording it between Marfa, Texas, and the band’s home in Los Angeles. The 10 songs are unlike anything YACHT has ever made: pop experiments from a sideways dimension coaxed into their studio through a portal opened by machine intelligence.
Chain Tripping received a Grammy nomination for Best Immersive Audio Album in the 2020 Grammy Awards, and YACHT performs the album in full at Songbyrd Music House on Wednesday, Jan. 15.
Ronny Moorings fronts Clan of Xymox at Union Stage on Nov. 21, 2019. (Photo by Mickey McCarter)
I’m going to say it right out of the gate — Clan of Xymox deserve to be a much bigger act than they are.
As seen at DC’s Union Stage recently, frontman Ronny Moorings and company walk a straight line through buoyant synthpop — a bit more dark and distracted than their contemporaries in New Order and a bit less complicated than The Cure.
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