With Sapphire Blaze, S3nsei Molly, and diamondthebody warming the room up, plus a quick 3OhBlack moment that hit instantly, Natalie recently delivered a high energy set packed with standout fits, Baddies visuals, and crowd peaks that felt like a party on purpose at The Fillmore Silver Spring.
Natalie Nunn brought her Already Rich Tour to the DMV on May 13, and she did not treat it like a regular concert. She turned the whole building into a nightclub. From the second you walked in, it felt like the night was built for energy first, not just performance. The crowd was loud early, moving early, and ready for a show that felt more like a full event than a simple set. The opener run set the tone in a way that made sense for this audience, starting with Sapphire Blaze, who a lot of people recognized from Baddies. Her presence alone got the room reacting early, and it helped establish that this show was tied to the Baddies world just as much as it was about the music. It felt like the crowd was already in “night out” mode, and she leaned into that energy.
S3nsei Molly followed and kept the momentum moving. She came out with a pace that fit the room immediately, keeping it hype and keeping people engaged while the floor filled in. The Fillmore can be hit or miss early if the crowd is still settling, but her set made it feel like the night had already started for real. The energy was active, and you could feel the room getting louder as she moved through her set.
diamondthebody came after and pushed the vibe even further. Her outfit stood out as soon as she hit the stage, and she performed with the kind of confidence that reads instantly in a venue like this. It was not warm up energy, it was we’re starting the party right now energy. The room stayed responsive, and by the end of her set the crowd was already warmed through and ready for the main event.
Watch the official music video for “Want the Bag” by diamondthebody on YouTube:
Somewhere in that opener stretch, 3OhBlack popped out and performed his hit “All Talk,” and it landed like a quick jolt. The reaction was immediate, like the room recognized it on the first cue. It was a short moment, but it did exactly what moments like that are supposed to do: keep the crowd loud and keep the pace moving.
One of the strongest production choices throughout the show was the way they tied in videos from the hit TV show Baddies. Having those clips playing during the sets kept the crowd reacting even between songs. It wasn’t just background visuals, it was part of the identity of the night, connecting the performance to the world a lot of the audience already knows Natalie from.
When Natalie stepped out, the energy leveled up instantly. She has presence, and in a venue like The Fillmore it reads immediately. She did not come out trying to win the crowd over. She came out like she already had it, and the audience matched that confidence right back.
The biggest crowd moments hit exactly where you would expect them to. When she performed “YAYA (She Mix),” the room turned all the way up. That was a clear peak, phones up, people yelling the lyrics, and the kind of reaction that makes a venue feel smaller because everyone is locked into the same moment. Then “Doin What I Want” landed like the mission statement, especially with the way she framed it as both the intro and the closer. It didn’t feel like just a song. It felt like the night’s headline.
Watch the official music video for “Doin What I Want” by Natalie Nunn on YouTube:
The setlist kept that nightclub rhythm throughout. She moved through moments that felt like flexes, moments that felt like pure hype, and moments that felt like they were for the people who came for the Baddies universe as much as the music. The BeatKing cover of “Outside” was one of those instant crowd movers, and the Diamond features “BIG ONE” and “Line It Up” were another clear highlight, not just because of the songs but because the collaboration energy translated live.
By the end, the biggest takeaway was consistency. The energy never dropped. The outfits stayed loud, the visuals stayed active, and the crowd stayed engaged start to finish. Natalie made the Fillmore feel like a party on purpose, and the audience followed her lead the entire way.
Setlist:
Doin What I Want (Intro)
Snatch
Outside (BeatKing cover)
BIG ONE (with diamondthebody)
Line It Up (with diamondthebody)
Pose For Me (John Mackk cover)
YAYA (She Mix) (Compton AV cover)
Baddie Bad
Where The Baddies
Scared
Doin What I Want (Closing)
Here are some photos of Natalie Nunn and her openers performing live at The Fillmore Silver Spring on May 13, 2026. All pictures copyright and courtesy of Olusola Fakinlede.
