If I have to work on a Sunday night, it may as well be an evening out with my partner enjoying a nice glass of wine, a delicious meal, and listening to the blues rock of Los Lonely Boys.
“I just want to be a good musician, I want to be a good songwriter, I want to get better.”
Refreshing words coming from a musician who’s been at the top of his game for over 50 years. Martin Barre is well-known as the long-time lead guitarist (1969-2012) for Jethro Tull. I spoke with Martin in anticipation of his “Martin Barre Celebrates 50 Years of Jethro Tull Tour,” which will come to the DC Metro area for two shows on April 22 at The Birchmere and April 23 at Rams Head on Stage. (This interview has been edited for clarity and flow.)
The first time I saw Karen Jonas and her musical partner, Tim Bray, perform was at Gypsy Sally’s in 2015. I had the pleasure of seeing the duo with Karen’s band again recently at Pearl Street Warehouse on the night she won the 2019 Wammy Award for Best Country/Americana Artist.
Drummers are perpetually left in the dark. Which is a little odd because they’re the engines of a band — the driving force, the anchor around which the music is tied. Sometimes, the drummer shines bright despite being pushed to the back of the stage. Such is the case with Isabelle De Leon, the DC-based drummer who cohosts, along with saxophonist Elijah Balbed, the monthly Southwest Soul Sessions at Pearl Street Warehouse.
“You are like a hurricane, there’s calm in your eye, and I’m getting’ blown away…” — “Like a Hurricane,” Neil Young
You may wonder why a review about virtuoso sitar player would start with lyrics from a classic Neil Young rocker but bear with me. It will become clear soon enough. You see, Anoushka Shankar appeared at Sixth and I Synagogue for two shows recently.
Babalú! Those of us who’ve reached a certain age, or any fan of “I Love Lucy,” will recognize that famous cry. Ricky Ricardo’s celebrated signature song introduced countless Americans to Cuban music and culture. Desi Arnaz, who played the television show’s Cuban band leader, had already made “Babalú” an established musical number for his orchestra in the 1940s.