I’ve been a Dixie Dregs fan for as long as I can remember. I’ve still got their original LPs in my vinyl collection and have seen the band perform several times over the years. So, when I first read that the original line-up was reuniting for the Dawn of the Dregs Tour, I made sure that I would be at The Lincoln Theatre on Wednesday.
How she’s able to jump and dance in those high heels is anyone’s guess, but then again, how can anyone resist jumping, dancing, or even just tapping one’s toes to Kristie Di Lascio of Loi Loi’s energetic, tuneful synthpop beats.
For aficionados of manouche, gypsy, or swing jazz, we know that the musical form inspired by Jean “Django” Reinhardt isn’t all flash and speed. Of course, there is that — but the music inspired by the French jazz master consists of highly accessible, melodic arrangements with an ebb and flow all their own. That accessibility was on full display Saturday night at Baltimore’s Creative Alliance at The Patterson Theater during the 3rd Annual Charm City Django Jazz Fest.
The Basque word “etxe” means “domicile” or “shelter.” For eight recording artists, many of them based in DC, Etxe Records is home to a diverse musical family. Celebrating its 10th anniversary in 2018, Etxe (pronounced et-CHAY) released “Etxe Records at 10 Years: A Compilation.” And to mark the occasion, Capital Fringe hosted a 10th anniversary showcase concert on Jan. 20, featuring The Red Fetish, Silo Halo, Near Northeast, and Teething Veils.
Alejandro Escovedo plays like his life depends on it. That most artists feel that existence-affirming drive to create is a given; for Escovedo the sentiment is literal. Alejandro opened the East coast leg of his “A Man Under the Influence/Think About the Link Tour, presented by Prevent Cancer Foundation” at The Hamilton Live on Jan. 16 to an enthusiastic and adoring crowd.
I can safely say that all the concerts I attended in 2017 exceeded my expectations, but of course I say that about all live music. I was fortunate to photograph over 80 shows in 2017, from artists both well known to those just starting out. I’m truly inspired watching these talented musicians and their courage in getting up on a stage to lay their souls bare. Or as the L.A. Times’ David Ackert so eloquently put it, “…musicians and singers are willing to give their entire lives to a moment — to that melody, that lyric, that chord, or that interpretation that will stir the audience’s soul.” Continue reading
The first time I heard Angel Olsen sing, the name Patsy Cline kept repeating through my mind, and not because Wikipedia describes Ms. Olsen’s music as indie folk, indie rock, or alternative country, and not because their voices sound anything alike. Perhaps one could make a case that underneath Angel’s county blues melodies, there lurks Patsy’s Cline’s spirit. But for me the purity of their voices share the same mix of vulnerability and world-weariness.