Shania Twain performs at Capital One Arena on July 15, 2018. (Photo by Ari Strauss)
Shania Twain’s NOW Tour, one of the most anticipated summer tours of 2018, hit DC on Sunday. The five-time GRAMMY winner and reigning Queen of Country Pop held court before a sold-out crowd at Capital One Arena and gave her audience a passionate two-hour performance with all the glitz and glamor befitting the highest-selling female country artist of all time.
Shania Twain (Photo courtesy BB Gun Press)
Shania Twain released Now, her fifth studio album, via Mercury Nashville last fall, and *now* she has embarked on her Shania Twain: Now Tour of North America. Catch her at Capital One Arena in DC on Sunday, July 15.
Jessie Reyez (Phot courtesy Tickets.com)
Jessie Reyez released Kiddo, her debut EP, via FMLY in 2017, and she followed it up with a new single “Body Count” in 2018. She’s coming around to sing all of her songs while opening Halsey at Wolf Trap on Sunday, July 15.
Dave 1 performs with Chromeo at 9:30 Club on June 12, 2018. (Photo by Mickey McCarter)
Like a romantic suitor in one of their electro-funk songs, the gents of Chromeo don’t mind taking their time. And the payoff was worth the wait when David “Dave 1” Macklovitch and Patrick “P-Thugg” Gemayel blasted through 9:30 Club in twin shows recently.
Tess Roby performs at Motorco Music Hall during Moogfest on May 18, 2018. (Photo by Mickey McCarter)
In her first concert in the United States, Canadian Tess Roby played expressive yet crystalline synthpop at Motorco Music Hall for Moogfest 2018 in Durham, North Carolina.
Molly Rankin fronts Alvvays at 9:30 Club on May 8, 2018.
The alluring voice of Molly Rankin mesmerized the audience during a sold-out show at 9:30 Club last week.
Dave Monks fronts Tokyo Police Club at 9:30 Club on May 2, 2018. (Photo by Mickey McCarter)
Tokyo Police Club provided a nice counterbalance as openers to Matt and Kim for two sold-out dates at 9:30 Club last week. In comparison to hyperactive party band Matt and Kim, Dave Monks and company were positively sedate, which was actually quite good for absorbing the Canadian band’s post-punk rhythms.
