Destroyer performs at Black Cat on March 9, 2020. (Photo by Casey Vock.)
Strange times are best scored with a bizarre and darkly complex soundtrack. We are clearly in such times, and thanks to the Black Cat’s eclectic schedule, including the occasional Canadian band, DC area fans were recently given a healthy dose of avant-garde rock, only a couple days before local venues started canceling shows.
Destroyer (Photo by Ted Bois)
In support of the band’s new album, Have We Met, Destroyer plays Black Cat on Monday, March 9.
Mikaela Davis performs at Songbyrd Music House on Nov. 11, 2019. (Photo by Mark Caicedo)
A true professional is one who approaches her or his craft with singleness of purpose, the ability to ignore the surrounding noise, and the will to power through when roadblocks and obstacles are blaring “stop, go back, give up!”
Life on the road for a working musician is tough enough without the unexpected breakdowns, illnesses, and logistical headaches. Thus when harpist/singer-songwriter extraordinaire Mikaela Davis and Southern Star stopped into the Songbyrd Music House and Record Café recently, they had already overcome several hurdles, including Mikaela losing her voice prior to the previous night’s gig that forced her first ever cancellation.
Kishi Bashi captivates a sold out Lincoln Theatre on Nov. 8, 2019 (Photo by David LaMason)
There are performances that are good, some are great, and then there are the transcendent ones that leaves you a little different than when you came in. Kaoru Ishibashi (who performs under the name Kishi Bashi) created an experience that is both musically and visually compelling — moving the audience to feel like a part of what was going on there on the stage — as was the case of Friday night’s performance within the crowded walls of the Lincoln Theatre.
Kishi Bashi (Photo by Max Ritter)
Kaoru Ishibashi, known better as Kishi Bashi, released Omoiyari, his fourth full-length studio album, via Joyful Noise Recordings earlier this year. The violinist is on tour with a visit to the Lincoln Theatre in DC on Friday, Nov. 8.
The Zombies perform at the Robert E. Parilla Performing Arts Center at Montgomery College on Sept. 29, 2019. (Photo by Jason Nicholson)
Upon induction into the Rock and Roll Hall of Fame earlier this year, keyboardist Rod Argent of The Zombies recalled hearing “Hound Dog” by Elvis Presley at the age of 11. “For the next year or so, I just sought out the rawest rock ‘n’ roll I could find: I was totally transfixed by American rock ‘n’ roll; it seemed to represent a world and a culture that was not only magical, but so far removed from our ’50s England that whatever I did, I could never dream of any of us ever being anywhere near it.”
Inspired by Elvis, Miles Davis, and The Beatles, The Zombies recorded two remarkable albums in the ’60s then disbanded. But much like their heroes, The Zombies discovered the public would not forget them, and an initial regrouping in the early ’00s led to a full-blown reunion and The Zombies receiving their due with the Rock Hall in New York in March. Still on a career high from that experience, Rod and vocalist Colin Blunstone took their current Zombies show on the road and appeared at the Robert E. Parilla Performing Arts Center in Rockville, Maryland, recently.
Andrew Bird plays violin at The Anthem on Sept. 14, 2019. (Photo by Mickey McCarter)
Violinist Andrew Bird led an absorbing program of chamber pop at The Anthem recently in support of My Finest Work Yet, his 12th studio album.