Brian Fallon, singer and guitarist of The Gaslight Anthem, released his second solo album, Sleepwalking, via Island Records in February. Brian is bringing his backing band, The Howling Weather, around to 9:30 Club for a sold-out show on Saturday, April 28.
Alejandro Escovedo plays like his life depends on it. That most artists feel that existence-affirming drive to create is a given; for Escovedo the sentiment is literal. Alejandro opened the East coast leg of his “A Man Under the Influence/Think About the Link Tour, presented by Prevent Cancer Foundation” at The Hamilton Live on Jan. 16 to an enthusiastic and adoring crowd.
In a sold-out show at The Anthem on Wednesday, The Killers reminded us that they hail from Las Vegas — and in Las Vegas, folks know how to put on a big, stupendous show. Frontman Brandon Flowers and company brought it all — great music, neon videos, and gold suits — in support of touring their fifth studio album, the aptly named Wonderful Wonderful.
I suspect the inclusion of Lucinda Williams among my favorite artists stood out a little on my (now deleted) dating profile, buried as it was among a list that heavily favored new wave, electronic, and industrial artists.
The contrast in genres was apparently notable enough that visitors commented on it more than once. But then my appreciation for Lucinda’s music did in fact arise out of a specific set of circumstances, absent which I might not have discovered her at all.
On Sept. 29, Lucinda Williams released This Sweet Old World via Highway 20/ThirtyTigers. This remarkable album reimagines and reinterprets Lucinda’s seminal 1992 album Sweet Old World in celebration of its 25th anniversary. Lucinda is touring to mark that anniversary with a concert at The Lincoln Theatre on Monday, Oct. 30.