Orchestral Manoeuvres in the Dark, aka OMD, are one of the best modern English bands to emerge from the UK new wave scene, and I would go so far as to say one of the best bands ever anywhere period. OMD play at 9:30 Club on Tuesday, March 6, and you can win tickets to go with Parklife DC by joining us at Dodge City on Thursday, Jan. 11.
The brilliant Orchestral Manoeuvres in the Dark (OMD) released The Punishment of Luxury, their 13th studio album, on Sept. 1 via 100% Records subsidiary White Noise. The album fared very well commercially, hitting #4 on the UK Albums chart as well as #7 on the US Top Dance/Electronic Albums chart.
I had the genuine pleasure of again chatting with Andy McCluskey, vocalist, bassist, keyboardist, and songwriter for OMD, as the band will launch a North American Tour with a performance at 9:30 Club on March 6, 2018. (It’s not officially announced by 9:30 Club yet, but buy your tickets online here.)
In our chat, Andy provides insights into songs on The Punishment of Luxury, shares his feelings on recent work by Gary Numan and New Order, and reveals artists (with some surprises) with whom OMD would like to collaborate (particularly as they approach their 40th anniversary as a band).
I babbled a bit more than usual because he’s a personal hero, and as such my interview covered a lot of ground. I’ve edited the order of the questions to improve their logical flow and trimmed them where necessary for brevity. (Also, perhaps read our previous Parklife DC interview with Andy McCluskey from May 2016.)
Savages at 9:30 Club on March 27, 2016 (See the full blog)
As we wrap up 2016 here at Parklife DC, we looked back on our best concert photos of the year, where reviewed our 10 (actually 11) favorite photos on our blog.
But while Paivi and Kristie considerably brightened up our blog with their pictures, Theresa C. Sanchez and myself also have been out there photographing some concerts. So now we are rounding up the best of the rest to present some cool photos that Theresa and I captured over the year as well.
I’ll confess that I’m a man whose taste in music is readily apparent. If you have new wave tunes to play, particularly from 1976-86, I’m going to show up and listen to them. That said, a number of incredible legacy new wave bands happened to travel through the DC metro area over the past year, and I took the opportunity to review them for our humble blog.
That said, a number of younger bands definitely broke through and seized my attention, most notably Canada’s Operators, who were the most exciting new band I’ve seen in some time. As with Operators, many of the best performances I witnessed in 2016 came from bands whose leaders are among the Masters of Synthpop, and so I have dedicated a postscript of really great synthpop shows that may have “missed” the top 10 but otherwise deserve a lot of applause.
Check out my top 10 list of concerts I saw for Parklife DC. (Click on the concert slugline to revisit the full review.)
“We’re going to play that famous song from that famous movie,” said Andy McCluskey, frontman for Orchestral Manoeuvres in the Dark (OMD) at Wolf Trap Wednesday.
“No, not that one,” he added, rejecting the notion the band were about to play their biggest US hit — “If You Leave” from the movie Pretty in Pink. “The other one!”
Andy and his three bandmates launched into “Tesla Girls,” which in fact appeared on the soundtrack of another John Hughes movie, Weird Science. And so it was that OMD electrified roughly 7,000 people in a smash-up set as openers for Barenaked Ladies.
As a champion of new wave music in general and synthesizers specifically, one of my biggest musical heroes is Andy McCluskey, frontman for the groundbreaking British synthpop band Orchestral Manoeuvres in the Dark (OMD). A decade ago, Andy reunited with collaborator Paul Humphreys and relaunched the classic OMD lineup, which has been publishing new albums in recent years. And here in the United States, OMD remains celebrated for ‘80s singles such as “Enola Gay,” “So in Love,” and of course “If You Leave” (the band’s contribution to the soundtrack of the John Hughes film Pretty in Pink).
I had the singular honor of chatting with Andy recently about OMD’s upcoming tour of America, recent projects (including a new OMD album in the making), and matters of state in the European Union! [We also discussed more politics, but I cut some of that in favor of length and focus.]
Mickey McCarter: Hello, Andy!
Andy McCluskey: Mickey, hello again, how are you?
MM: Great! How are you?
AM: Great! I just got home from a very successful concert in Stockholm over the weekend, and the sun is shining in England, so all is good. [OMD played in Stockholm recently on May 21.]
MM: Fantastic! Since you mention that concert, you’ve been doing quite a bit of live album shows and releases, and that all seems to be going very well.