Alt-pop band The Driver Era have just released their brand new single “Malibu,” the second single from their upcoming third album! And the gents are on tour with a DC-area show at The Fillmore Silver Spring on Friday, Aug. 5!
On Aug. 26, punk innovators Blondie release Blondie: Against the Odds, an archival box set of remastered music encapsulating the band’s career from 1974-1982.
The Black Keys perform at Merriweather Post Pavilion on July 25, 2022. (Photo by Will Colbert)
The life of a touring musician can’t be easy. During a career that spans nearly 20 years, it’s probably safe to say that The Black Keys have logged a considerable amount of travel miles. They’ve laid their heads in unfamiliar beds and digested food unfit for rock gods — nonetheless, they’re back on the road. The duo, consisting of guitarist/vocalist Dan Auerbach and drummer Patrick Carney, made a recent stop at Merriweather Post Pavilion for their Dropout Boogie Tour.
Alex Scally and Victoria Legrand of Beach House perform at The Anthem on July 24, 2022. (Photos by Kyle Gustafson)
When I first saw Beach House in 2007 in an alley in Baltimore with about 50 other people, I never would have imagined they would be headlining a show to an *extremely* packed venue of 6,000 people. I would have said the same thing about the band from Greenville, North Carolina, that opened for them by the name of Future Islands but that’s another story. Shoutout to Whartscape.
Beach House’s slow and steady rise is well deserved though, releasing album after album of dreamy, atmospheric indie pop. Their latest, Once, Twice Melody, a double album released earlier this year, might just be their best and the resulting tour brought the band to The Anthem on the hottest day of the year.
Sam Doores performs with The Deslondes at Metro Gallery in Baltimore on July 19, 2022. (Photo by Casey Vock)
A five-piece band from New Orleans: That’s about as far as one might get in solving the formula yielding The Deslondes, a group that got its start under a different identity in 2010 and in 2013 changed its name to one paying tribute to a street in the Lower Ninth Ward where the group originated.
And by blending their collective vision with allure and character, there’s no question that this group of pals and extraordinary songwriters is honing its own Big Easy neighborhood sound into some of the most intoxicating and mystifying music you might hear today.
Jawbox rocks the Black Cat on July 23, 2022. (Photo by David LaMason)
Since their reunion a few years ago, Jawbox has been keeping themselves busy with tours, a change in their line up, and a recent Revisionist History EP of a couple of older tracks (“Grip” and “Consolation Prize”) — along with driving version of Wire’s “Lowdown” — that were redone with new guitarist, Brooks Harlan of the brilliant Baltimore-based band War on Women, giving the tracks a weight and sonic punch that sounds fresh and quickly found them on repeat through my headphones.
Warpaint’s Emily Kokal shined on guitar at Capital Turnaround on July 22, 2022. (Photo by Mickey McCarter)
Early in their recent set at DC’s Capital Turnaround, Warpaint performed a tranquil song called “Champion,” which hails from their new album Radiate Like This. Guitarist Theresa Wayman took lead vocals, and the band unspooled the song’s weave over a hushed audience.
The song and the show were a breath of fresh air, frankly, and it was very good to see Warpaint back on tour.