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Live Review: Shaboozey @ 9:30 Club — 9/21/24

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Shaboozey
Shaboozey performs at 9:30 Club on Sept. 21, 2024. (Photo by AJ Waugh)

Covering my first country show was definitely not something I had on my bucket list for 2024 — but when a kid from the DMV has the No. 1 record in the country for virtually the entire summer, it’s got to be a show worth checking out right? Shaboozey returned home recently to perform at the first of two sold-out nights at 9:30 Club on his first ever headlining tour.

The Where I’ve Been Isn’t Where I’m Going Tour ’24 is in support of his album of the same name, released back in May. The Woodbridge, Virginia native’s fusion of country and hip hop has taken the country by storm as his breakout hit “A Bar Song (Tipsy)” has remained at number one on the Billboard Hot 100 for over 10 weeks. I went into the show blind as I never hear any of his music outside of “A Bar Song” but definitely left the show entertained and thoroughly impressed.

Live Review: Wesley Stace @ Jammin’ Java — 9/24/24

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Wesley Stace
Wesley Stace (Photo by Ebet Roberts)

Though he now lives in the States, Wesley Stace is quintessentially British, drawing on the folk music traditions of that land and displaying its particular brand of dry humor during his recent performance at Jammin Java.

Reports: AEG Presents Soon to Close Rams Head Live!

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Rams Head Live
Rams Head Live! (Photo by David LaMason)

Multiple reports emerged today that Rams Head Live! in the Power Plant deexopjment of downtown Baltimore will soon close. Power Plant Live told news outlets that Rams Head Live! Did not renew its lease.

The reports prompted Rams Head Group to clarify that it sold the venue to Los Angeles-based AEG Presents in 2015, and the potential closure has no impact on Rams Head Group properties.

Live Review: Kneecap @ Union Stage — 9/23/24

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Kneecap
Kneecap (Photo courtesy PIAS)

Kneecap Brings Irish Hip Hop, Radical Politics to Union Stage

It’s been a big year for the Irish hip-hop group Kneecap. After years of slowly building buzz, the trio of Belfast lads burst into the mainstream this year with a debut album, Fine Art, and a feature length, semi-autobiographical film co-starring Michael Fassbender.

They celebrated this impressive run with a sold-out East Coast tour, which recently arrived in DC. Playing to the packed basement at Union Stage, the band met our fraught present moment with urgent calls for liberation and thuggery.

Live Review: Brigitte Calls Me Baby w/ DiToro @ The Atlantis — 9/22/24

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Brigitte Calls Me Baby
Brigitte Calls Me Baby performs at The Atlantis in DC on Sept. 22, 2024. (Photo by Mickey McCarter)

When you hear Brigitte Calls Me Baby, you’ll undoubtedly be blown away by that voice — the unmistakable warble of Wes Leavins, who serenades you through the length of the band’s post-punk compositions. But as seen recently at The Atlantis in DC, there is a lot more to the band than its outstanding frontman.

Snapshots: Lawrence @ The Fillmore Silver Spring — 9/20/24

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Clyde Lawrence
Clyde Lawrence performs at The Fillmore Silver Spring on Sept. 20, 2024. (Photo by Steve Satzberg)

Sibling duo Lawrence are back with a new album, Family Business, and they have hit the road on their Family Business Tour!

Clyde and Gracie Lawrence recently performed at The Fillmore Silver Spring, and Steve Satzberg was there to take photos.

Live Review: Healing Appalachia w/ Tyler Childers, My Morning Jacket, Sierra Ferrell (Lewisburg, WV) — 9/19-9/21/24

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Tyler Childers
Tyler Childers performs at Healing Appalachia on Sept. 21, 2024. (Photo by Brooke Landers)

Healing Appalachia 2024
Words and photos by Brooke Landers

The town of Lewisburg, West Virginia, recently hosted Healing Appalachia, a festival of hope, music, and community. Its purpose is to create a space for recovery and raise awareness to combat opioid addiction, an epidemic that has stricken Appalachia for decades. Through song, dance, and stories of hope from those in recovery, Healing Appalachia succeeded in creating a safe space where attendees could rejoice in the camaraderie of rebirth and rehabilitation.

Live Review: Hot Tuna @ Lincoln Theatre (Mt. Vernon, WA) — 9/19/24

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Hot Tuna, Mt. Vernon, 2024-09-19
Hot Tuna performs in Mt. Vernon, Washington, on Sept. 19, 2024. (Photo by Mark Caicedo)

“And think of living as it was, into the future we must cross, and I’d like to go with you”
Genesis (Jorma Kaukonen)

There are moments when you’re transported back in time, triggered by a particularly gorgeous view, an aroma from a favorite childhood memory, or a musical phrase heard from a long-ago song. In a recent sold-out show, 486 lucky Lincoln Theatre audience members took a journey through the past as the original Hot Tuna, Jorma Kaukonen and Jack Casady, performed in Mt. Vernon’s stately 1926 theatre.

Live Review: Jason Eady w/ Zach Meadows @ Jammin’ Java — 9/23/24

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Jason Eady
Jason Eady (Photo courtesy of Torrez Music Group)

When you’re just starting out playing music, Jason Eady said, “you’re told to only play cover songs.” Then, as you meet with some success, people want to hear your own material. After a while, though, he said, you want to play cover songs again.

In his recent solo acoustic performance at Jammin Java — his first time in that venue — Jason took the opportunity to delve into his musical roots, playing a selection of songs that influenced him in addition to his own original tunes.

Though he’s become known as a representative of the Texas tradition of singer-songwriters, Eady was born near Jackson, Mississippi, in 1975 and grew up there. His latest album, released last year, takes its name from his home state. He began his set with the album’s lead-off track, “Way Down in Mississippi.” “Every verse,” he said, “is a different genre of music I grew up on.”

Live Review: Yo La Tengo @ Rams Head Live — 9/22/24

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Yo La Tengo
Yo La Tengo performs at Rams Head Live on Sept. 22, 2024. (Photo by David LaMason)

Baseball and indie rock. Seriously, someone should write a book about the intersection of America’s pastime and the inventive, often feedback-driven rock and roll that became the mainstay of college radio DJs in the mid-’80s through the 1990s. There’s the obvious Baseball Project made up of members of The Dream Syndicate, REM, Filthy Friends, and the Young Fresh Fellows. But the award for band name creativity has to be given to Yo La Tengo, a reference to the New York Mets players Richie Ashburn and Elio Chacón’s attempts to avoid on-field collisions.