As Cold Cave prepare for the release of their highly-anticipated new 7-song album Fate in Seven Lessons, the group has premiered another single — this time, the release’s brooding, pensive opener “Prayer from Nowhere.”
“Dying on the Moon” is a beautiful ballad, perfectly performed by Chris Harms and Joy Frost, who’s voices complement each other perfectly in a bittersweet duet.
Underlined by the classical The Lord of the Lost Ensemble, the German dark metal maestros deliver a soulful and slightly desperate track that goes straight into the listeners heartstrings — an ode to trusting one’s soul’s decision and believing in yourself.
THE 69 EYES released their apocalyptically titled new album, West End, last fall and started their 30th anniversary world tour. On Friday, June 26, they celebrate three decades by streaming a live show from Helsinki.
Turkey-based post-punk band She Past Away summons classic post-punk sound into a goth-infused blast that has excited an entire genre. The band’s live show ruptures with sprawling ’80s post-punk energy and beckons the masses to join.
And join you can when She Past Away livestreams a show via Dice TV on Wednesday, June 17!
David Eugene Edwards is the creative force behind Wovenhand. After making his mark with the gothic sounding, alt-country band Sixteen Horsepower, David originally recorded his own solo work under the Wovenhand moniker. This has given him the opportunity to explore a variety of musical styles, but they are all connected by his inherent intensity.
His trademark fire and brimstone delivery was apparent in a recent show at Black Cat.
The music of Wovenhand and songwriter/multi-instrumentalist David Eugene Edwards has always had an unparalleled intensity. David’s rich, billowing and emotive voice is always the driving force of his music, but it’s catapulted by his spellbinding ability to transform instruments that many people might consider mundane relics — be it banjo, accordion, lesser-known folk instruments from around the world, or even an electric guitar — into devices of dark fury and poignant beauty.
Wovenhand returns to DC to open OM at Black Cat on Monday, March 2.
In 1972, David Bowie appeared on the British program Top of the Pops to perform “Starman” from The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The national broadcast was a sensation, leaving a deep impression upon a generation of young creatives.
Those young creatives surely included musician Peter Murphy, who had the rare opportunity to showcase his talents with Bowie in a performance by his band Bauhaus in Bowie’s movie The Hunger in 1983.
Last week, Peter finished a career-retrospective residency at Le Poisson Rouge in Manhattan with two nights dedicated entirely to David Bowie’s music, in a way completing a very satisfying circle nearly four years after Bowie’s passing.
When you see Los Angeles noise rockers HEALTH, you are both lifted up and smashed down. First, you hear the soaring, light vocals of frontman Jake Duzsik, who elevates your spirit, and then you see the massive, crushing synths of John Famiglietti, who beats you down in the very best way with a flip of his hair.
Drummer BJ Miller added melodic crashes that would alternatively knock you over or dissolve into ether, and thus HEALTH rumbled through a very good show at 9:30 Club recently.
Are they bright light hard rockers or dark light goth rockers? The Cult don’t care, so long as they look good and play loud. And they did both at The Fillmore Silver Spring recently. Jason Nicholson’s got the photos to prove it.
Tool burned through DC recently to close the band’s Fear Inoculum Tour in spectacular fashion, and to our surprise the prog rockers brought along perhaps the best possible opening act — English post-punks Killing Joke.
The gothic quartet even shared a bow with Tool at the end of the stage. Given that this was quite a combination, Chris Smyth took some photos of Killing Joke performing at Capital One Arena to open Tool recently.