I can relate to Melissa Carper. My partner lives out in Rockville, Maryland, and her apartment is among much green space, and there are many animals around. We often stop to watch rabbits or dear. On Sunday, when we came back from brunch at Silver Diner, a fawn was just off to the side of parking lot, munching on leaves, displaying no fear or anxiety of us humans. For all the craziness and the edge in our personalities, we are soft, gentle souls; on her dating site profile, my partner said the job she would do for no pay was taking care of an orphaned elephant.
Melissa Carper is another weirdo with a heart of gold — and a thoroughly wonderful one, judging from her recent appearance at Pearl Street Warehouse. “Would You Like To Get Some Goats,” a song that appeared in the setlist, wasn’t actually about her dream — it’s about a ex-girlfriends’ dream. Goats, Melissa said during the show, are “a little high maintenance.” She does want to live on a farm of her own some day. For now, she lives on someone else’s farm, which she says is “okay.”
Sarah Borges performs at Pearl Street Warehouse on June 28, 2022. (Photo by Mark Caicedo)
This one’s “about going home to your house you share with a loved you never want to see again,” Sarah Borges said about “House on a Hill” in her thick, unmistakable Boston accent. Sarah is very real, she writes great songs, she knows how to engage an audience — and that has won her a small but devoted following who gathered recently at the Pearl Street Warehouse in DC.
DC musician Aaron Shneyer will host an album release event for “Love Rebellion,” at Pearl Street Warehouse, Sunday, May 15, 2022. (Photo courtesy of aaronshneyer.com)
DC-based soul/roots musician Aaron Shneyer recently released his new album Love Rebellion, which culminates a 12-year journey jumping worlds between Israelis and Palestinians, jumping to some other continents, meeting himself, and finding life’s partner.
Aaron will hold his official album release concert at Pearl Street Warehouse in DC’s wharf neighborhood on Sunday, May 15. He will be joined on stage by a powerhouse group of DC’s finest jazz, gospel, funk, world music and reggae musicians.
Shannon McNally performs at Pearl Street Warehouse on March 12, 2022. (Photo by Ari Strauss)
Shannon McNally has been performing for 25 years, during which she’s shared stages with jam band artists like Robert Randolph and Derek Trucks, heartland rockers like John Mellencamp, and Americana troubadours like Steve Earle. She’s won acclaim both for her own writing and for her exceptional ability as an interpreter of song.
Shannon’s latest album, the self-produced The Waylon Sessions, delves into the recordings of outlaw country legend Waylon Jennings, and she appeared at DC’s Pearl Street Warehouse recently to tour it. She said it was easy to choose the songs, as she just “picked her favorites.” The album was cut in four days, and featured guitar work from Kenny Vaughan; after she opened the set with “I’ve Always Been Crazy,” Shannon related a tale from Kenny about seeing Waylon at a club in Arizona in 1973.
The Allman Betts Band performs at The Birchmere in June. (Photo by Mark Caicedo)
2021 saw a gradual return to live music as venues and musicians did their best to return to “normalcy” and keep everybody safe. Things didn’t always go according to plan: People still got sick, tours were canceled or postponed, and attendance to indoor shows still sometimes lagged.
Frazey Ford is one of the most unconventional, eclectic singer-songwriters on the current music scene. When she appeared at the Pearl Street Warehouse on Halloween, she demonstrated her wide-ranging sound, unique vocals, and off-the-wall personality and wacky sense of humor.
Following huge acclaim for her 2020 album U kin B the Sun, Vancouver Soul-Americana artist Frazey Ford is set to take the album on tour for the first time since its release. She appears at Pearl Street Warehouse in DC on Sunday, Oct. 31!
Two of the finest DC area musicians performed this past Friday evening at Pearl Street Warehouse. Elizabeth II opened with a subdued but nonetheless passionate solo acoustic performance while Jonny Grave’s blues rock provided a raucous counterpoint.
Hayley Fahey, surrounded by family, friends, and fans, performed her new EP, Good Old Days, at Pearl Street Warehouse (PSW) last Sunday evening. Arriving to the venue shortly before showtime, I was struck by the level of anticipation and excitement in the air. Although one might think the recently reinstated mask mandate in DC might have dampened the celebratory mood, I detected no drop in enthusiasm or support for the hometown multi-instrumentalist singer-songwriter.