Snapshots: Circle Jerks w/ Municipal Waste and Negative Approach @ Baltimore Soundstage — 12/10/21

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Circle Jerks perform at Baltimore Soundstage on Dec. 10, 2021. (Photos by Jason Nicholson; Text adapted from a press release by Bailey Sattler/ Grand Stand Media)

Legendary punks Circle Jerks hit the road in their first North American tour in over 15 years. They appeared at Baltimore Soundstage recently with openers Municipal Waste and Negative Approach to celebrate 40 years of their landmark record Group Sex.

Jason Nicholson photographed the action!

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Live Review: Jeff Rosenstock @ Black Cat — 12/1/21

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Jeff Rosenstock leads his band during a performance at Black Cat on Dec. 1, 2021. (Photo by Casey Vock)

If a live performance is measured in collective caloric burn, then a Jeff Rosenstock show should be considered one of this country’s most effective and lasting workouts.

A widely respected hero among DIY mavens for his work as the leader of the ska band The Arrogant Sons of Bitches and the punk outfit Bomb The Music Industry!, Rosenstock is an explosive, fetching multi-instrumentalist with astonishing talents and a bristling, assiduous spirit that erupts from his recorded work and, as he showed at last week in the nation’s capital at Black Cat, fuels his live performances too.

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Live Review: Parquet Courts @ Ottobar — 10/30/21

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Andrew Savage leads Parquet Courts during a performance at Ottobar in Baltimore on Oct. 30, 2021. (Photo by Casey Vock)

These days there really aren’t too many bands that can flourish or even survive without a social media presence, as platforms like Instagram and Twitter are undeniably essential platforms for connecting with fans and promoting material.

Try to convey that to Parquet Courts — an indie band based in Brooklyn that has barely lifted a finger on social media since forming back in 2010. Without a single Tweet, and only two IG feed posts of questionable authenticity — is that even an official handle? — Parquet Courts has dismissed the importance or even any practical use for the apps that countless humans spend hours engaging on their smartphones.

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Live Review: Alkaline Trio and Bad Religion @ The Fillmore Silver Spring — 10/30/21

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Alkaline Trio performs at The Fillmore Silver Spring on Oct. 30, 2021. (Photos by Shedrick Pelt)

On Saturday, a weekend of ghoulish guests and things that go bump in the night, rock music took center stage at The Fillmore in Silver Spring during a jointly-headlined tour stop with Bad Religion and Alkaline Trio, two forefathers of the punk rock revival of the early-to-mid 90s. 

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Snapshots: Ashnikko @ The Fillmore Silver Spring — 10/26/21

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Ashnikko performs at The Fillmore Silver Spring on Oct. 26, 2021. (Photo by Katherine Gaines/ ambienteye.com)

Ashnikko may look like a blue-haired wood nymph but the singer-songwriter is a viral sensation in full embrace of the horrors of life — both literally and metaphorically — with their unique sense of humor.

The London-dwelling American kicked off their fall Demidevil Tour at The Fillmore Silver Spring on Tuesday, and Katherine Gaines caught the action on camera.

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Live Review: IDLES @ 9:30 Club –10/17/21

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IDLES perform at 9:30 Club on Oct. 17, 2021. (Photo by Kyle Gustafson)

You’d be hard pressed to name a better or more electrifying live band right now than Bristol, England’s IDLES. Hard and fast enough for the punk fans, heavy enough for the metal fans and progressive enough for the indie fans, IDLES hit a sweet spot that no other band can touch right now at 9:30 Club in the first of two-sold out nights on Sunday. Their songs address a wide range of topics such as politics, depression, and toxic masculinity and more importantly give listeners the release that great live music demands.

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Interview: Bob Mould (@ 9:30 Club, 9/18/21)

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Bob Mould Band (Photo courtesy Big Hassle)

When he plays the 9:30 Club on Saturday, Bob Mould will be making a homecoming of sorts. For nearly a decade, he lived in the District, and he has a long history with the club. For a number of years at 9:30 Club, he DJ’ed at a dance party (called Blowoff) for DC’s gay community.

Over his 40-plus year career, Bob covered wide ground and left an indelible imprint on the American musical scene. A native of upstate Malone, New York, Mould left to attend Macalester College in Minneapolis, where he would found the seminal band Hüsker Dü in 1979. A fast, aggressive punk trio, their music was a bridge between the punk era and the alternative and underground scenes that formed in the early to mid ’80s. Their influence was especially potent in their base in the Twin Cities (on the Replacements, Soul Asylum, and Guided by Voices) but extended to bands as diverse as, on the one hand, Dinosaur Jr. and Nirvana, and, on the other, Uncle Tupelo and Whiskeytown. New Day Rising was listed in Rolling Stone’s top 500 albums, and several of their albums are considered classics.

After the breakup of Hüsker Dü, Bob embarked on a solo career, moving into more singer-songwriter oriented territory with the well-received, mostly acoustic Workbook. In the early ’90s, he helmed the alternative band Sugar to some of his most commercially successful work. In the 25 years since Sugar disbanded, he has continued to grow and expand his range, running the gamut from his completely self-made, distortion-filled, eponymous 1996 release, to explorations in electronic music, District’s Lines variety of styles and genres, and more pop-oriented material like Life and Times. As he describes in this interview, his latest record, last year’s Blue Hearts, is a return to his punk roots.

Parklife DC’s Mark Engleson recently spoke with Bob Mould in advance of his show at 9:30 Club on Saturday, Sept. 18. They touched on a number of subjects, including his history with the venue, his creative cycle, and what still keeps him creatively refreshed and moving forward in his career.

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Interview: Willie Nile (@ The Hamilton Live, 8/28/21)

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Willie Nile (Photos by Cristina Arrigoni)

Willie Nile is a man all about New York City, his longtime home. The man about town was in the process of releasing an album about New York City, titled New York at Night, when the COVID-19 pandemic struck the world and put things on hold.

In May 2020, Willie released that album. Not long before he did so, he chatted with Parklife DC’s Mark Engleson. Now, Willie is back with another album about the place he loves to live — The Day the Earth Stood Still, his 14th studio album, which was released on Aug. 13.

Willie is on tour again with a stop at The Hamilton Live in DC on Saturday, Aug. 28. But Parklife has been sitting on this unpublished interview from when Willie was promoting New York at Night. And in this interview, Willie chats about how much he also loves DC. So with no further ado, we present this chat and strongly suggest you catch Willie live at The Hamilton this weekend.

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