Ken Fox and Keith Streng rock City Winery on Feb. 1, 2019. (Photo by Mickey McCarter)
With “The Dreg,” Keith Streng (vocals, guitar) and Ken Fox (vocals, bass) built a sonic brickwork that prepared the audience at City Winery for what was about to come from The Fleshtones: a night of groovy garage rock that tumbled across the stage, occasionally dipped in a little punk or a little psychedelia.
Paul Humphreys and Andy McCluskey of Orchestral Manoeuvres in the Dark pose in San Francisco for NME in 1981. (Photo by Chester Simpson)
Urgh! A Music war, a cult-classic concert film, straddles divides across new wave, punk, and post-punk acts performing in 1980. Parklife DC screens the film at Black Cat on Monday, Oct. 1. Admission is free!
Peter Zaremba sings with The Fleshtones at U Street Music Hall on Oct. 20, 2017. (Photo by Ben Eisendrath /Instagram+Twitter: Insomnigraphic/GrillworksBen)
Lower Manhattan long will be regarded as one of the epicenters of great American rock music, in particular for the bands that came out of New York in the mid-to-late ’70s. The likes of Blondie, the Talking Heads, and the Ramones burst from CBGBs and Max’s Kansas City, putting Manhattan on the musical map.
While many of Blondie’s contemporaries have faded, it came as some small surprise to me that one of the better groups of the era never took a break and still tour strong today. The Fleshtones performed at U Street Music Hall to correct my oversight on Oct. 20, and I was easily won over by their ear for really great tunes and their eye for smart stagecraft.
Fleshtones (Photo courtesy Ticketfly)
Last year, The Fleshtones celebrated 40 years since they first stood up on a stage at CBGB’s and played their memorable garage rock. On Friday, Oct. 20, catch them at U Street Music Hall.