Violinist Andrew Bird led an absorbing program of chamber pop at The Anthem recently in support of My Finest Work Yet, his 12th studio album.
Indie rocker Andrew Bird released My Finest Work Yet, his 12th solo studio album, in March via Loma Vista. He arrives to perform his new music at The Anthem on Saturday, Sept. 14.
Neil Young was right. “Rock and roll will never die.” And no, that’s not an allusion to the seemingly myriad musical festivals or anniversary tours featuring reunited elders of sound like 2016’s Desert Trip — affectionately dubbed “Oldchella” — or most recently, the bicoastal weekend-long fêtes Classic East and Classic West last month. “Rock and roll is here to stay,” thanks to bands like Spoon (whose title is not a reference to the culinary utensil, but an homage to the 1970s German avant-garde collective called Can #themoreyouknow). These indie musicians heralding from the capital of the Lone Star State embody the notion that evolution is a form of revolution.
With the March 2017 release of their ninth studio album, Hot Thoughts, a promotional tour was sure to follow and it did. Their July 30 appearance at the newly renovated Merriweather Post Pavilion was not a solo headlining gig, but they most certainly performed like it was.
In a few short weeks, Spoon will find themselves in a three-night residency at SXSW, and then the very next day they will release their new album Hot Thoughts on Matador Records. Spoon will then continue a tour that will eventually land them at Merriweather Post Pavilion in Columbia, Maryland, on Sunday, July 30.