Kids say the darnedest things, especially when prompted by a pint-sized pop star.
“Make them say Ring Pops.”
Fear. Anxiety. Depression. These psychological stressors are at an all-time high, according to the U.S. Centers for Disease Control and Prevention, affecting an estimated 8.3 million American adults. Sure, meditation and exercise might be tried and true methods to calm an overloaded brain, but the Canadian baroque pop collective Broken Social Scene have an alternative prescription to offer. No, it’s not “more cowbell” — although it wouldn’t be all that surprising given how many musical instruments they utilize on stage. Kevin Drew and crew employ a more engaging and face-to-face method.
Eleven minutes and thirty-eight seconds.
That’s how long it took before a member of the rap rock supergroup Prophets of Rage mentioned the President, first numerically (“45” — not four-five, which would be South African slang for male genitalia according to Johannesburg-born comedian and Daily Show host Trevor Noah), and then by last name and the acronym POTUS. Rap legend Chuck D muttered the surname and it was clear that the call to action against and the critiques of the current White House occupant weren’t going to end there.
The Districts Refresh Dehydrated Fans with Tall Serving of Rock
“Hydrate yourselves: naturally, mentally, in every way you possibly can. Even, politically […]” said songwriter, multi-instrumentalist, and producer Sam Owens at the 9:30 Club in Washington, D.C., on a recent Friday.
Who better to advise on matters of liquid nourishment than the frontman for the New York-based band Sam Evian, who shares part of its moniker with the French brand of premium (see what I did there) mineral water that boasts the tagline “Live Young.” Given the demographic of the audience, he was spot on. Continue reading
Good things come in small packages.
Standing just barely 5 feet tall, the Swedish singer-songwriter Yukimi Nagano is no exception. Last Tuesday and Wednesday night, Little Dragon fans in attendance at the 9:30 Club were transported to the future, and not just the weekend. Attendees accustomed to rock and roll gigs might also argue the neon kaleidoscope-colored lighting and the mobile-like twinkling backdrop also transformed the space into that of a rave. The soulful, electro pop quartet who formed in 1996 (while still in high school) played back-to-back shows promoting their much-anticipated fifth studio album, Season High. They added an additional performance following the quick sellout of their first night.
Neil Young was right. “Rock and roll will never die.” And no, that’s not an allusion to the seemingly myriad musical festivals or anniversary tours featuring reunited elders of sound like 2016’s Desert Trip — affectionately dubbed “Oldchella” — or most recently, the bicoastal weekend-long fêtes Classic East and Classic West last month. “Rock and roll is here to stay,” thanks to bands like Spoon (whose title is not a reference to the culinary utensil, but an homage to the 1970s German avant-garde collective called Can #themoreyouknow). These indie musicians heralding from the capital of the Lone Star State embody the notion that evolution is a form of revolution.
With the March 2017 release of their ninth studio album, Hot Thoughts, a promotional tour was sure to follow and it did. Their July 30 appearance at the newly renovated Merriweather Post Pavilion was not a solo headlining gig, but they most certainly performed like it was.
Jack Johnson Radiates Chill on a Hot June Night
The accordion. That’s right — the box-shaped instrument used by everyone from The Who and R.E.M. to Arcade Fire and Gogol Bordello is something you wouldn’t normally associate with the folk rock singer-songwriter Jack Johnson. A Cole Clark acoustic guitar? Definitely. A Pepe Romero Jr. ukulele? Sure. He’s even auctioned a few off for the Kōkua Hawai’i Foundation he co-founded with his wife Kim in 2003 to support environmental education in schools all over the Aloha State. But a squeeze box?