Circle Jerks perform at Baltimore Soundstage on Dec. 10, 2021. (Photos by Jason Nicholson; Text adapted from a press release by Bailey Sattler/ Grand Stand Media)
Legendary punks Circle Jerks hit the road in their first North American tour in over 15 years. They appeared at Baltimore Soundstage recently with openers Municipal Waste and Negative Approach to celebrate 40 years of their landmark record Group Sex.
Jason Nicholson photographed the action!
Alkaline Trio performs at The Fillmore Silver Spring on Oct. 30, 2021. (Photos by Shedrick Pelt)
On Saturday, a weekend of ghoulish guests and things that go bump in the night, rock music took center stage at The Fillmore in Silver Spring during a jointly-headlined tour stop with Bad Religion and Alkaline Trio, two forefathers of the punk rock revival of the early-to-mid 90s.
HR of Bad Brains: Then and Now (Photo courtesy Punk the Capital)
When punk rock erupted in Washington, DC, it was a mighty convergence of powerful music, friendships, and clear minds. Punk the Capital, a documentary film about DC punk from 1976-83, explores the incredible challenges that this subculture faced when it took root in the Nation’s Capital in the late 1970s.
Catch a screening of Punk the Capital at The Miracle Theatre in DC on Thursday, June 10, at 7pm!
Darkest Hour (Photo by Vince Edwards)
In the first phase of rollout for their new audio/video release titled Live In Lockdown – The Complete Collection, Darkest Hour have delivered the audio version of the album to their Patreon subscribers today.
Additionally, the band has revealed a full performance video for the standout single “Demon(s).” For this track on Live in Lockdown, Darkest Hour was joined by Fella Di Cicco (Dreamshade) for an epic performance at DC’s own Black Cat!
The Screws (Photo courtesy DC9)
Venerable DC punk band The Screws perform live at DC9 on Tuesday, Aug. 18! And you can watch live via a special YouTube link or you can watch the show on a screen at the venue, safely socially distanced on the roof of DC9.
Cro-Mags (Photo by Maurice Nunez)
2019 saw the CRO-MAGS crushing the masses with the release of their first pieces of music in 19 years. Today, the legendary hardcore pioneers have released a music video for the previously released single “From the Grave,” featuring former Motorhead guitarist Phil Campbell.
The band’s first full length album in 20 years, titled In the Beginning, will be available on June 19 via Mission Two Entertainment.
Dead Kennedys frontman Skip Greer impressed with flair and deadpan comedy at 9:30 Club on March 11, 2020. (Photo by Paivi Salonen)
Coronavirus couldn’t stop our District’s vulnerable punk population from coming out in droves to support one of the scene’s most iconic bands, Dead Kennedys. Despite increasingly dire news around the global pandemic, and a declaration of emergency from DC Mayor Muriel Bowser mere hours before doors opened, 9:30 Club was packed to near capacity with diehard DK fans eager to see these living legends in the flesh.
Dennis Lyxzén fronts Refused at 9:30 Club on Feb. 21, 2020. (Photo by Mickey McCarter)
Until Friday, I never saw Refused, the Swedish hardcore punks. And I might never still have if a fellow blogger hadn’t missed the show due to a conflict.
I picked up the show at 9:30 Club on Feb. 21, and I was struck by the nuances of a band that I confess is a bit outside my wheelhouse. But what made the show for me was the dancing of frontman Dennis Lyxzén.
Refused (Photo courtesy Spinefarm Records)
Swedish hardcore punks Refused released War Music, the band’s fifth studio album, last fall. Refused have launched a North American tour, with a show at 9:30 Club on Friday, Feb. 21.
Alexis Marshall fronts Daughters at 9:30 Club on Dec. 18, 2019. (Photos by Paivi Salonen; Words by Mickey McCarter)
Opening with “The Reason They Hate Me” from a new album at 9:30 Club recently, Daughters’ frontman Alexis Marshall slowly began to reveal why he occasionally draws comparisons to Nick Cave. The slim singer swayed to the front of the stage in a suit to conjure energy from an audience ready to dance.
Although the vocals of that opening number were rather growling in a way sympathetic to hardcore, Alexis quickly became much more measured and select with his words and pacing by the time of “City Song,” the third number in the set.