You can almost feel the pull, like the power of a 10,000-ton train, moving the very Irish band Fontaines DC from the smaller clubs of just a handful of years ago to selling out big venues like the 9:30 Club Thursday night. And to top it off, the eve of the release of the quintet’s third full-length LP, Skinty Fia, saw the band not only selling out the 9:30 Club but also venues throughout the United States.
modernlove. are still figuring it out and that’s okay. Like their name suggests, the Irish four-piece explores the complexities of the modern lives of twenty-somethings. Even though their lives are still complicated, Barry, Cian, Danny and Graham of Drogheda have already nailed their sound; they deliver polished, indie-pop with a glossy ’90s sheen and intricate details.
Recently, the band announced their debut EP “monochrome blue” and shared the new single. “lmk (if you wanna see me)” along with a music video.
Irish multi-instrumentalist and singer-songwriter Seán Ó Corcoráin, better known as Outsider, returns with the three-song EP Samhain Soon released on Dec. 4 via OK!Good Records / Neon Animals. Listen to the title track!
Reigning as one of the most well-known and highly critically acclaimed experimental instrumental groups out there with a respected musical legacy spanning nearly 20 years, Irish four-piece God Is An Astronaut will reach a career benchmark upon the release of their 10th studio album, Ghost Tapes #10 (out Feb. 12, 2021 via Napalm Records).
Along with an artful black and white music video (by Chariot Of Black Moth), the hypnotizing first offering “Burial” captivates with atmospheric yet melancholic, bewitching instrumental lines, and God Is An Astronaut’s full extent of power.
Inspired by musicians such as Joy Division and The Jesus & Mary Chain, Ireland’s Outsider makes music that strikes you with its depth. Certainly, Outsider writes poetic lyrics and sings them with passion, but he also crafts melodies that dance and soar through you.
Outsider took his name from Colin Wilson’s 1956 book, The Outsider, “which examines the psyche of great artists and their place in society,” reads his bio. His real name is Seán Ó Corcoráin. Seán is a terrific talent and a wonderful person, and Parklife DC’s Mickey McCarter had the absolute pleasure of chatting with him recently about his debut full-length album, Karma of Youth, released April 17 by OK! Good Records.
The droning guitars and eerie pipes of the Irish folk band Lankum have led some to describe their music as apocalyptic. On the evening before the declaration of the coronavirus pandemic as a US national emergency, the band darkly joked, “Thanks a million for taking your lives into your own hands.”
Frontman Ian Lynch added, “We kind of feel like the band on The Titanic.”
Hozier performs at The Anthem on Nov. 18, 2019. (Photo by Matt Ruppert)
Something happens in the mind when music washes over us, replete with that familiar sense of a life lived — of politics, of being a human, a lover, part of a family — balanced with the urge to dance and lose ourselves, if only for a moment. It feels like something real and honest, yet still somehow something almost frivolous.
I am reminded well of something Hozier’s music has long done — it treads the tenuous line between the sacred and the profane. The crowd singing along, and if I close my eyes, I can smell the scent of incense, see the stained-glass smiles of saints. Is this so different? Are the people on the rails not worthy of sainthood? Aren’t we all, in our ways, very nearly worthy? At the very least, do the sacrifices demanded of so many not reach into martyrdom? Not so much in the theistic sense, but the realistic one.
God Is an Astronaut performs at Rock and Roll Hotel on Sept. 14, 2019. (Photo by Marc Caicedo)
“Buying records cheers me up…whenever I feel low, I buy some new records.” Peanuts by Charles M. Schultz
The ability of music to lift us from pain born of tragedy is one of its enduring qualities. Recently, God Is an Astronaut (GIAA) showed us how despair and grief can be relieved — if only temporarily — with soaring melodies, a huge backbeat, and the sort of musical intimacy between player and listener that gives solace at the Rock and Roll Hotel.
Fontaines DC performs at U Street Music Hall on Sept. 11, 2019. (Photo by Mickey McCarter)
Stage performance defines a band — eager audiences arrive at a concert to determine if your songs are meant to be delivered live. In the case of young Irish band Fontaines D.C., the answer is a resounding yes, as seen in a sold-out show at U Street Music Hall recently, where the band dominated with pacing, presence, and something to say (which is best heard live).
Fontaines D.C. is a band with a name that sounds like it could come from Washington, DC. Rather, these impressive post-punk lads hail from Dublin, Ireland, and they make a return appearance in DC on Wednesday, Sept. 11, at U Street Music Hall.