In the nearly two years of no live music, the act of witnessing someone who has a mastery of the stage puts everything into perspective. The importance of live music and the strength of what an artist can make you feel in that moment which makes what could be lost all the more tangible. Watching David Shaw, singer for the band The Revivalists, performing the final show of his debut solo album release at the Union Stage Saturday night I couldn’t help but think how vital live music is to -– if anything -– the emotional strength of so many.
Produced by Jack Splash (Kendrick Lamar, Alicia Keys, Solange, Valerie June, St Paul and the Broken Bones), Shaw’s self-titled debut is filled with personal songs but ones that can make you move. And on a chilly Saturday night, David Shaw and his band did just that — got things moving — at Union Stage in DC.
Earlier this year, David released his debut self-titled solo album, available via his own imprint Yokoko Records in partnership with C3 Records, and it’s “full of songs that tell stories with a full heart and a dance-able beat,” said NPR World Café.
“I consider myself a live artist, not a recording artist,” the Louisiana blues guitarist told the audience at The Birchmere last week. A native of Baton Rouge currently residing outside of New Orleans, Benoit’s playing has earned well-deserved comparisons to iconic virtuosos like Albert King and Albert Collins. A member of his home state’s Cajun community, Benoit is one the foremost exponents of the style known as “swamp blues.”
To understand what I mean by “swamp blues,” I want to take a step back for a moment and talk about the blues more generally. If you’re not particularly familiar with this kind of music, you may have the misconception that the blues is monolithic, which couldn’t be further from the truth. The genre’s history stretches further back than we have recorded music, to a time when the only music people would hear is the music that they heard played live. The music that people heard live was determined by where they lived; music was distinctly regional in that era.
Indigo Girls, “one of the finest folk duos of all time” (NPR), and feminist icon and singer/songwriter Ani DiFranco return with a Grammy-winning blend of female-driven folk, rock, and pop on Wednesday, Sept. 22, at Wolf Trap.
Formed during an impromptu late-night jam during the 2012 New Orleans Jazz & Heritage Festival, The Nth Power believes in music as a higher power. The trio performs at The Hamilton Live on Saturday, Sept. 18!
Trombone Shorty (Photo courtesy Blue Note Records)
Experience an evening of good vibes with the funky jazz rhythms of Trombone Shorty & Orleans Avenue (“Hurricane Season,” “Tripped Out Slim”) and the high-energy, inspiring music of Michael Franti & Spearhead (“Say Hey (I Love You),” “The Sound of Sunshine”) at Wolf Trap on Tuesday, Aug. 24!
Acclaimed singer, songwriter, musician, and producer David Shaw recently released his first-ever solo singles from his forthcoming studio album due out in 2021 on Yokoko Records/C3 Records. A brand-new video for “Shaken” accompanies the release.
Since 1995, the Squirrel Nut Zippers have sacked and plundered the old, weird America then sailed off to further distant lands. They have used New Orleans as their hideout and base of operations. Jean-Lafitte-like the hide in the lee side of barrier island, receiving goods and masking dark back channel deals; hiding in cellars or in plain view.
On Sept. 25, fans will be able to gaze into the tea leaves that make up their brand new album: Lost Songs of Doc Souchon to see if they can discern their own destiny. The first single from the album “Animule Ball” was originally recorded back in 1938 by Jelly Roll Morton.
The Jason Marsalis Marsalis Quintet will perform “The Music of My Father” for the next installment of the New Orleans Jazz National Historical Park’s interactive Facebook live stream series, “Golden Hour,” hosted by Nick Spitzer of the public radio program American Routes — in conversation with Jason and band between tunes.