Bob Mould showed what a pro he is at his show at the 9:30 Club Saturday evening.
When he plays the 9:30 Club on Saturday, Bob Mould will be making a homecoming of sorts. For nearly a decade, he lived in the District, and he has a long history with the club. For a number of years at 9:30 Club, he DJ’ed at a dance party (called Blowoff) for DC’s gay community.
Over his 40-plus year career, Bob covered wide ground and left an indelible imprint on the American musical scene. A native of upstate Malone, New York, Mould left to attend Macalester College in Minneapolis, where he would found the seminal band Hüsker Dü in 1979. A fast, aggressive punk trio, their music was a bridge between the punk era and the alternative and underground scenes that formed in the early to mid ’80s. Their influence was especially potent in their base in the Twin Cities (on the Replacements, Soul Asylum, and Guided by Voices) but extended to bands as diverse as, on the one hand, Dinosaur Jr. and Nirvana, and, on the other, Uncle Tupelo and Whiskeytown. New Day Rising was listed in Rolling Stone’s top 500 albums, and several of their albums are considered classics.
After the breakup of Hüsker Dü, Bob embarked on a solo career, moving into more singer-songwriter oriented territory with the well-received, mostly acoustic Workbook. In the early ’90s, he helmed the alternative band Sugar to some of his most commercially successful work. In the 25 years since Sugar disbanded, he has continued to grow and expand his range, running the gamut from his completely self-made, distortion-filled, eponymous 1996 release, to explorations in electronic music, District’s Lines variety of styles and genres, and more pop-oriented material like Life and Times. As he describes in this interview, his latest record, last year’s Blue Hearts, is a return to his punk roots.
Parklife DC’s Mark Engleson recently spoke with Bob Mould in advance of his show at 9:30 Club on Saturday, Sept. 18. They touched on a number of subjects, including his history with the venue, his creative cycle, and what still keeps him creatively refreshed and moving forward in his career.
My introduction to Bob Mould came years ago after picking up a cut-out cassette of Hüsker Dü’s final LP, Warehouse: Songs and Stories. One of the first records I owned myself, I felt I had something special no one knew about. “There’s this record by this band and this guy’s voice is so cool!”
That guy’s voice, by the way, was Bob Mould. I hadn’t heard anyone sing like that before. Of course, I had been listening to mostly U2 and hair metal bands at that point, but that record was clearly different — and in a good way. It was melodic but loud, punk but with hooks.
Bob Mould releases Sunshine Rock, his new album, on Friday via Merge Records, and then he drops by 9:30 Club for a show on Thursday, Feb. 14. Spend Valentine’s Day with the Bob Mould Band!