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Around Town: Rock and Roll Hotel Closed for Business

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Outside the Rock and Roll Hotel during the 2010 H Street Festival. (Photo by Metal Chris)

Parklife DC is sad to learn the Rock and Roll Hotel, a pioneer in the redevelopment of DC’s Atlas District, has closed its doors forever immediately, starting today.

Preview: Destroyer @ Black Cat, 3/9/20

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Destroyer (Photo by Ted Bois)

In support of the band’s new album, Have We Met, Destroyer plays Black Cat on Monday, March 9.

Preview: The Yawpers @ Pearl Street Warehouse, 3/8/20

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The Yawpers (Photo by Megan Holmes)

Denver punk-garage trio The Yawpers roll through DC on Sunday, March 8, for a show at Pearl Street Warehouse. They’re touring in support of their new album Human Question, released last year via Bloodshot Records.

Snapshots: Hannah Jaye and the Hideaways @ DC9 — 2/28/20

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Hannah Jaye fronts her band, Hannah Jaye and the Hideaways, during an album release performance at DC9, Feb. 28, 2020. (Photo by Ari Strauss)

DMV folk-Americana quartet Hannah Jaye and the Hideaways hosted an album release party at DC9 recently to mark the release of their debut self-titled album.

Live Review: Drive-By Truckers @ 9:30 Club — 2/28/20

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Drive-By Truckers perform at Stubb’s BBQ on April 8, 2017. (Photo by Marshall Foster)

You might expect that Drive-By Truckers frontment Patterson Hood and Mike Cooley, who are known for taking outspoken, forceful positions, would have a lot to say on stage. But on their first of two nights playing the 9:30 Club Friday, they mostly let their songs — 30 of them, a two-and-a-half-hour set — do the talking.

Live Review: Marty Stuart and His Fabulous Superlatives @ The Birchmere — 2/27/20

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Marty Stuart performs at The Birchmere on Feb. 27, 2020. (Photo by Rashad Polk)

If you have even the slightest interest in country music, you owe it to yourself to see Marty Stuart and His Fabulous Superlatives. The Fabulous Superlatives — “Cousin” Kenny Vaughan on guitar, “Professor” Chris Scruggs laying down the bass, and “Handsome” Harry Stinson keeping the beat on the drums — are an all-star team of Americana players. Marty is a former child prodigy who was already playing professionally with bluegrass legend Lester Flatt as a teenager.

Live Review: Allen Stone @ 9:30 Club — 2/25/20

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Allen Stone performs at the 9:30 Club on Feb 25, 2020. (Photo by Brenda Reyes)

Allen Stone embraced the crowd with open arms and walked onto the stage with his five-piece band in a recent sold-out show at 9:30 Club, which had fans waiting for a night of soothing sounds from Stone.

Preview: The Lil Smokies @ 9:30 Club, 3/7/20

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The Lil Smokies (Photo courtesy IVPR)

Progressive bluegrass band The Lil Smokies released of their third studio album, Tornillo, last month. Recorded at Sonic Ranch in Tornillo, Texas, with producer-engineer Bill Reynolds (The Avett Brothers, Band of Horses, Midland) Tornillo is a focused and refined representation of the sound The Lil Smokies have become known for, Live For Live Music deeming the release “…an album with a point to make.”

The Lil Smokes stare a bill with Joe Pug at 9:30 Club on Saturday, March 7.

Live Review: Sarah Harmer @ The Birchmere — 2/26/20

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Sarah Harmer (Photo by Vanessa Heins)

Sarah Harmer thanked The Birchmere “for having faith after 10 years that I can still sing.” The critically acclaimed Canadian singer-songwriter recently released her first album in as long, Are You Gone. Over the last decade, she stepped away from music and was engaged in environmental activism. In 2005, Sarah found PERL, Protecting Escarpment Rural Land, to campaign to protect the Niagara Escarpment against a gravel development.

Preview: Wovenhand @ Black Cat, 3/2/20

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Wovenhand (Photo by Simon Skreddernes)

The music of Wovenhand and songwriter/multi-instrumentalist David Eugene Edwards has always had an unparalleled intensity. David’s rich, billowing and emotive voice is always the driving force of his music, but it’s catapulted by his spellbinding ability to transform instruments that many people might consider mundane relics — be it banjo, accordion, lesser-known folk instruments from around the world, or even an electric guitar — into devices of dark fury and poignant beauty.

Wovenhand returns to DC to open OM at Black Cat on Monday, March 2.