Snapshots: High Waisted @ Black Cat — 4/17/16

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Jess Dye sings with High Waisted at the Black Cat on Sunday, April 17.
(Photo by Ben Eisendrath /Instagram+Twitter: GrillworksBen)

Back in April, Manhattan surf rockers High Waisted dropped by the Black Cat to open for Har Mar Superstar.

I went to that show and wrote up a review. And our friend Ben also went to the show and took some digital shots that you can see in that review.

But he also brought along a prized Hasselblad camera and shot some pix of High Waisted singer Jess Dye on Delta 3200 black and white film.

So we are running this little Snapshots as the film has been developed and the results were pretty spectacular. In a few days, High Waisted are performing at Shea Stadium on May 18. Check them out when you get a chance!

Here are a few more pix of Jessica Dye singing and playing guitar with High Waisted at the Black Cat on Sunday, April 17, 2016.

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Music Park: High Waisted @ Black Cat — 4/17/16

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Jess Dye sings with High Waisted at the Black Cat on Sunday, April 17. (Photo by Ben Eisendrath /Instagram+Twitter: GrillworksBen)

Sunny waves of dazzling surf roll out over the audience as High Waisted start to play.

The band waste no time in getting down to business on Sunday night at the Black Cat. Singer Jessica Louise Dye and her three bandmates are there to open for soul trickster Har Mar Superstar, but quite a crowded room has turned up early to see the surf rock quartet from New York City.

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Music Park: The Subways @ Rock and Roll Hotel — 4/12/16

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The Subways perform at the Rock and Roll Hotel on Tuesday, April 12, 2016. (Photo by Mickey McCarter)

Billy Lunn had a friend who lost his job at an underwear factory in Essex, England. To cheer his friend up, Billy and other friends took the unemployed chap out to an awesome ‘80s pub called Billie Jean’s. (Billy informed his audience that Billy Jean’s has since sadly closed.)

As the night wore on, the unemployed friend began to feel down because his friends were being too generous. He didn’t want to be a charity case! So although people were having a good time, the friend suggested he would retire for the night, play ‘80s music at home, and break out some video games.

To his pleasant surprise, his friends agreed to go with him, leading him to declare, “We don’t need money to have a good time!” Seized by inspiration, Billy agreed with this sentiment but rushed home to write a song — titled “We Don’t Need Money to Have a Good Time” — which ended up on the third album by his band The Subways — Money and Celebrity — in 2011.

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Don’t Miss: Bleached @ DC9, 4/13/16

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Bleached (Photo by Nicole Anne Robbins)

The talented Clavin sisters, Jen and Jessie, once fronted a garage band called Mika Miko in Los Angeles. Despite the band’s popularity, they left it to join bassist Micayla Grace in a new garage project, Bleached.

The resulting punk band borrowed a sneer from Joan Jett and girl band pop vocals from the likes of The Shangri-La’s. Thematically, they deal with bad romance and bad habits. Bleached released a debut album, Ride Your Heart, in 2013, and they now have returned for their sophomore effort, Welcome the Worms, released April 1! The ladies have hit the road on a tour in support of the album, and they stop at DC9 on Wednesday, April 13.

Watch the official music video for “Keep on Keepin’ on,” the lead single from the new album, by Bleached on YouTube:

Said to have recorded the album during difficult personal times, Jen and Jessie poured themselves into it, finding a creative outlet for their tumultuous circumstances and making a helluva record. Of the result, NPR Music said, “Bleached’s furious and fun sound, mixed with a slacker vibe, invites you to enjoy your youthful worries while they last.”

L.A. punk quartet No Parents open for Bleached. Tickets are available online!

Bleached
w/ No Parents
DC9
Wednesday, April 13
Doors @830pm
$12-$14
All ages

Interview: Josh Morgan of The Subways @ Rock and Roll Hotel, 4/12/16

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Josh Morgan, Charlotte Cooper, and Billy Lunn of The Subways (Photo courtesy Earshot Media)

Just hearing the garage punk thumping of “Rock & Roll Queen” by The Subways instantly takes you back 10 years, when the UK trio introduced the earworm to the world.

Now, The Subways are poised to return to the United States on tour for the first time since 2008. Vocalist and guitarist Billy Lunn, vocalist and bassist Charlotte Cooper, and drummer Josh Morgan will kick off a US tour here in DC at the Rock and Roll Hotel on Tuesday, April 12, marking the US release of their fourth album (self-titled) the following Friday via Bodan Kuma Recordings.

By the way, the band launched a campaign on Pledge Music to raise money for their tour. They are offering meet and greets, handwritten music, signed records, signed set lists, signed photos, personalized poems, and even their tour drum kit available for fans to own via pledging their support! For details, visit http://www.thesubways.net. (The band has almost reached their goal, last I checked, and the campaign still has 12 days remaining as of today.)

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Music Park: VIDEO @ DC9 — 2/17/16

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TV’s Daniel of VIDEO (Photo by Jon Chamberlain)

“You don’t deserve VIDEO,” spits frontman Daniel Fried as he gazes out over the audience. “We’re too good for you. But we’re going to do you a solid and give you the best damn show of your life.”

Daniel’s band VIDEO threw down some amazingly raucous garage punk rock at DC9 on Wednesday night as part of a traveling showcase from Third Man Records. Detroit rock-n-rollers Timmy’s Organism were the headliners of the Audio Social Dissent Tour but VIDEO, zipping into the middle set of three bands, certainly captured the room to my ears.

The frontman (who goes by “TV’s Daniel” in the band) began the show with his back turned to the audience as he knelt before the drums. His bandmates — Payton Green, Harpal Assi, and Gregory Rutherford — played a pleasing post-punk instrumental while Daniel meditated, perhaps gathering his strength. Then he stands to sing a smoky punk tune, “I Will Wait.”

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Music Park: The Arcs @ 9:30 Club — 12/14/15

The ArcsDan Auerbach of The Arcs (Photo Credit: Monelle Chiti)

When a band features two drummers, a keyboardist, a bassist, a chorus line from an all female mariachi band, and a lead singer who shreds his guitar in a state of estatic bliss, you know you’re in for something more. Something alive. Something visceral.

Dan Auerbach’s project, The Arcs, because it is clearly no one else’s, is raucous and funky and unique in ways that are not just about music, but about life. Living to the fullest. Not giving a shit what anyone else thinks. Crying out “this is who I am, thank you coming, but I’ll still enjoy what I do, whether you do or not.”

That The Arcs exist, is a testament to Auerbach’s need to create, to express himself passionately, to find outlets where he can bare his soul, and experiment musically outside of The Black Keys.

And The Black Keys are great. I’ve seen them three times already (unfortunately, most recently at the first Firefly Music Festival), so I was intrigued to discover what The Arcs were all about. What they represented in comparison and in contrast.

The Arcs still have Auerbach’s garage rock and blues sensibility, with his unmistakable voice. It would not be a stretch to mistake The Arcs’ sound for The Black Keys.

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