Liam Gallagher performs at the Lincoln Theatre on May 19, 2018. (Photo by Kyle Gustafson)
Timing is everything in rock ‘n’ roll, and I imagine it’s a lesson to which Liam Gallagher can attest. And Liam delivered his testimony in a sold-out show at the Lincoln Theatre on Saturday.
Bettye LaVette performs at the Burnaby Blues & Roots Festival on Aug. 9, 2014. (Photo by Leilah Thiel)
R&B singer Bettye LaVette graced The Hamilton with her divine presence on Saturday. Looking much younger than her 72 years, fit and trim, Bettye performed with bountiful energy and flawless style.
Fred LeBlanc fronts Cowboy Mouth at City Winery on May 18, 2018. (Photo by Ari Strauss)
The nascent City Winery in DC’s Ivy City is an intimate 300-seat cabaret-style performance space that delivers a high-end combination of culinary and cultural experiences to patrons who are passionate about sharing wine, music, and culinary arts.
That is until New Orleans-based Cowboy Mouth came to town over the weekend, and all that went shit.
Lawrence performs at Union Stage on May 17, 2018. (Photo by Will Colbert)
Lawrence, the eight-piece band led by siblings Clyde Lawrence and Gracie Lawrence, kicked off their “New Stuff Tour” last Thursday at Union Stage. It was the group’s first time performing in DC, and Gracie’s first performance as a 21 year old.
Fleet Foxes captivates at The Anthem on May 18, 2018. (Photo by David LaMason)
Fleet Foxes made its return last year with the release and subsequent tour for Crack-Up (Nonesuch Records). The record is filled with the same self-reflective lyrics, swelling music, and gorgeous harmonies as the band’s previous two records, but it seems like a more focused record. After six years between Helplessness Blues and the new LP, it’s a refreshed welcome home for this band whose debut album turns 10 years old as of this writing.
Jonathan Davis performs at The Fillmore Silver Spring on May 17, 2018. (Photo by Chris R. Smyth)
Beneath a flood of red light, Jonathan Davis, best known for being the lead singer of Korn, brought his performance to The Fillmore Silver Spring. One week in advance of the release of his new solo album, Black Labyrinth, Jonathan and his band performed the new album nearly in its entirety.
Berit Ulseth fronts The Claudettes at Hill Country Live on May 17, 2018. (Photo by Ari Strauss)
The energetic performance of The Claudettes at Hill Country Live on Thursday defied the heavy hearts of its members as drummer Danny Yost lay home in Chicago, recuperating after suffering a stroke one week prior. Stepping into Danny’s seat behind the drums was Michael Caskey, who co-founded The Claudettes in 2011 with pianist Johnny Iguana but departed in 2016 due to other commitments.
Nathaniel Rateliff performs at The Anthem on May 16, 2018. (Photo by Ari Strauss)
When Nathaniel Rateliff took the stage at The Anthem, his eyes widened as he surveyed the vastness of DC’s newest and largest music venue at The Wharf.
“I’ll be honest with you, I didn’t know we were playing here when we got to DC; I never heard of The Anthem,” Nathaniel confided to the audience. “This place is huge, and I can’t believe ya’ll filled it up!” The 6,000-plus sell-out crowd responded with a roar of appreciation last week.
Bruno Major (Photo by Bjorn Franklin)
Bruno Major recently released a new video for his song “Home.” The video takes Bruno back in time through his debut solo North American tour, which saw him sell out 16 dates throughout last winter. He’s coming back for the second leg of that tour with a DC date on Tuesday, June 5, at U Street Music Hall.
Myles Kennedy performs at Baltimore Soundstage on May 16, 2018. (Photo by Chris R. Smyth)
Myles Kennedy has one of the more distinct voices in hard rock today. While the rock landscape is full of rough, low-end singers, Myles’ voice is higher in register, similar to guys like Axl Rose and Bruce Dickinson. On Wednesday night, looking much more youthful than his nearly 50 years of age, dressed in a black button down shirt and sleeveless white undershirt, and playing in front of a simple black curtain imprinted with The Year of the Tiger logo, Myles put his voice on full display, playing a solo acoustic show for a sold-out audience at the Baltimore Soundstage.
