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Live Review: Jeremy Ivey @ Songbyrd Music House — 10/5/19

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Jeremy Ivey (Photo by Cal & Aly 8)

Playing solo acoustic, Jeremy Ivey began his show at Songbyrd Music House recently with the title cut (and last song) of his debut album, The Dream and the Dreamer, a bittersweet song of love not come to pass.

Live Review: Ian Noe @ Songbyrd Music House — 10/5/19

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Ian Noe (Photo by Kyler Clark)

Singer-songwriter Ian Noe displayed his authentic Kentuckian bonafides as well as a shrewd sense of the greater world in a fantastic set at the Songbyrd Music House recently.

Live Review: Built to Spill @ 9:30 Club — 10/4/19

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Doug Martsch of Built to Spill performs at the 9:30 Club on Oct. 4. 2019. (Photo by Matt Ruppert)

Fresh off a four-night run in New York, Built to Spill carried their trademark sound to a sold-out crowd at the 9:30 Club recently. With the band fast-approaching its 30th anniversary and celebrating the 20th anniversary of their seminal record, Keep It Like a Secret, Doug Martsch and friends offered a riveting a freewheeling reinterpretation of that record mixed with a few choice cuts around it.

Live Review: Agnostic Front @ Cafe 611 — 10/3/19

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Agnostic Front performs at Cafe 611 on Oct. 3, 2019. (Photo by Rashad Polk)

The Godfathers of hardcore, Agnostic Front, recently graced the stage at Cafe 611 in Frederick, Maryland, during a DC-area stop of their tour celebrating the 35th anniversary of their debut studio album Victim in Pain. Throughout the years since their first release, the New York Hardcore legends’ sound has evolved while still retaining the essential elements that have cemented their status as a band whose style is so often emulated.

Live Review: Ladytron @ Brooklyn Steel — 10/2/19

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Ladytron19 Helen Marnie fronts Ladytron at Brooklyn Steel on Oct. 2, 2019. (Photo by Mickey McCarter)

Ladytron opened the show with “Black Cat,” sung in Bulgarian by Mira Aroyo, and you could be excused for believing you were watching the timeless synthpop band eight years ago — when the quartet visited last visited Brooklyn.

But no, it was indeed 2019, and Ladytron also played a host of new songs from an exciting new self-titled album released in February. It was a very welcome return indeed when the band performed at Brooklyn Steel recently!

Preview: Silence the Violence w/ Katy Perry, Norah Jones, Mavis Staples @ The Anthem, 10/11/19

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Katy Perry (Photo courtesy Capitol Records)

Headlined by Katy Perry, Norah Jones, and Mavis Staples, The David Lynch Foundation hosts its Silence the Violence benefit concert at The Anthem on Friday, Oct. 11, to benefit 10,000 at-risk youth in the district.

Live Review: The Head and the Heart @ The Anthem — 10/3/19

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The Head and the Heart perform at The Anthem on Oct. 3, 2019. (Photo by Matt Ruppert)

Forged in the fires of open mics, born in Seattle’s Conor Byrne’s pub, and ultimately shaped by the trials and tribulations of honest friendship, The Head and the Heart have emerged as something new, something somehow different but still fundamentally the same, as seen at The Anthem recently.

Live Review: Jesse Malin @ The Birchmere — 10/2/19

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Jesse Malin (Photo by Olivia Jaffe)

New York City rocker Jesse Malin opened up for Justin Townes Earle at The Birchmere recently with a dynamic set. Jesse kicked off his set with both himself and his sideman, Derek Cruz, playing acoustic guitar on “Revelations,” which he recorded for his recently released album, Sunset Kids.

Live Review: Justin Townes Earle @ The Birchmere — 10/2/19

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Justin Townes Earle (Photo by Joshua Black Wilkins)

“How the fuck y’all doin’?” the inimitable Justin Townes Earle boisterously addressed the audience at The Birchmere at the beginning of his set recently. A fan shouted, “You look better!” at Justin, who sported a goatee and a new, shorter haircut. Sassily, Justin replied, “I know that, baby.”

Live Review: Darrin Bradbury @ The Birchmere — 10/1/19

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Darrin Bradbury performs at The Birchmere on Oct. 1, 2019.  (Photo by Ari Strauss)

Singer-songwriter Darrin Bradbury took the stage at the legendary Birchmere recently to provide a 45-minute opening set in support of show headliner John Moreland.